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<channel><title><![CDATA[Opanarise - ARTICLES]]></title><link><![CDATA[http://opanarise.weebly.com/articles.html]]></link><description><![CDATA[ARTICLES]]></description><pubDate>Thu, 28 Jul 2011 15:06:57 -0800</pubDate><generator>Weebly</generator><item><title><![CDATA[Blood Cobalt]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/blood-cobalt.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/blood-cobalt.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:50:04 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/blood-cobalt.html</guid><description><![CDATA[ BLOOD COBALT: THE CONGO AND MODERN ELECTRONICS 25/5/2009  Published In Relevant BCN magazine &ndash; see hereThe Democratic    Republic of the Congo,  formerly  known as Zaire, is the  third largest country in Africa. Its    population has risen to ov [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "> <font size="3"><strong style="">BLOOD COBALT: THE CONGO AND MODERN ELECTRONICS</strong><br /><br /> 25/5/2009<br /><br />  Published In Relevant BCN magazine &ndash; see <a style="" href="http://issuu.com/relevantbcn/docs/r20/8" target="_blank">here</a><br /><br /><strong style="">T</strong>he Democratic    Republic of the Congo,  formerly  known as Zaire, is the  third largest country in Africa. Its    population has risen to over sixty million, a number similar to the   U.K., but with  an area of over ten times its size.<br /><br /> The  Congo has reeled from a history of conflict, with the  most  recent clashes  bringing attention to a country of massive  potential  wealth, coupled by the  suffering of the first and second  Congo wars  (the second of which began in 1998  and has laid rest to over  five  million people).<br /><br /> Political  and social harmony may have left the Congo, but  foreign  business  interest has not. The Congo  boasts the largest  deposits of  Cobalt on earth, an essential component of the   manufacturing of  Lithium Ion Batteries, which are widely used in our  mobile  phones and  personal electronic devices. Coupled with this is  &lsquo;Coltan&rsquo; or<br /> Columbite-tantalite, the  extracts of which are used for everything from laptops to ABS brakes.<br /><br /> Eighty percent of the world&rsquo;s &lsquo;Coltan&rsquo; is produced in the  eastern  Congo,  specifically the Mushangi Hills of the South Kivu   region, a  mountainous area hugging the border and Rwanda beyond.<br /><br /> The Kivu region has been an area of extreme turbulence over  the past   decade. Its minerals have provided a steady source of wealth  for the  various claimants  of its mines, the most recent being the Rebel  Army  of Laurent Nkunda. It  is strongly suspected that the proceeds  from the  sale of Coltan and other  minerals are directly funding the  Rebel  Army&rsquo;s war against Hutu factions and  government authorities in  the  Congo.<br /><br /> The mines of Kivu are mostly open-pit, with young male  workers   operating without necessary precautions, bare handed, to  extract the  relevant  minerals. In the case of gold in the Kivu region,  liquid  mercury is sold to  workers in order to more hastily separate the  gold  from other impurities.  Mercury is highly toxic and many of the  older  miners have suffered from severe  physical and neurological  problems.<br /><br /> Coltan is chipped from the sides of the mines, usually  imbedded   within larger clumps of compressed rock and earth. The  chippings are  then  inspected and cast away if no signs of the familiar  dark grey  specks can be  seen. If present, the raw Coltan is picked out  and  gathered by the miner.  Almost all of the young workers are ignorant  to  the use of what they are  collecting. Once a modest amount of the   mineral has been collected, the miner  will then take his cache to a   closely guarded office nearby. Here his Coltan is  inspected, weighed,   and exchanged for a small sum, approximately ten dollars*  for a few   hundred grams. This can often take days to accumulate.<br /><br /> Each week the Coltan is gathered into larger bags and made  ready   for transport. If available, the consignment is flown on  extremely  dangerous  journeys to nearby towns. Opposing forces focus  pressure on  stopping the Coltan  trade, making the flight a huge risk.  The pilots  can receive up to &pound;1500* for a  single journey. Once  received, the bags  of Coltan are checked further, and bought  for around  &pound;50* per kilo  before being transported for refinement. Local  refiners  can produce  around five tonnes per month, a healthy figure, but one   that only  scratches the demand of the world market. Coltan is a wonder    substance. Its ability to absorb heat has shed huge costs for the   electronics  market, allowing them to use other materials which through   overheating would  render their products useless.<br /><br /> There are many investors in the Coltan market, Rwanda being   the  highest reaper of profit, accumulating $250* million in a year and a   half  directly from the exploitation of Coltan in The Congo. Uganda,   Burundi, and  other African neighbours are also suspected in   involvement. Foreign interest  includes companies from the United      States, Germany, China, and Belgium. After  purchase the Coltan is then   converted into capacitors and other devices to then  be sold to   electronics manufacturers such as Nokia, Motorola, Compaq, Alcatel,    Dell, Hewlett-Packard, IBM, Lucent, Ericsson and Sony. Many of these   companies  are manufacturing for the commission of mobile phone service   providers such as  O2, Vodafone, and Orange.  Retailers then buy their   products to be sold to the general public.<br /><br /> It is haunting to consider that a small capacitor inside mine  or   your mobile phone could have been collected by a Congolese boy,   probably  orphaned, probably formerly a child soldier, who works for   next to nothing to  collect a substance that he probably does not even   know the use for, his work  helping to fund an small army guilty of   numerous atrocities, the recruitment of  child soldiers, and the   exploitation of The Congo&rsquo;s bounteous mineral  resources.<br /><br /> O.N. 25-5-09<br /><br /> * Figures will have changed over the course  of time due to the world market, these are rough estimates intended as a guide.<br /><br /> This article contains extracts from the documentary &lsquo;Cobalt Du  Sangue&rsquo; shown on French TV station Canal+.<br /><br /><strong style=""><a style="" href="http://www.friendsofthecongo.org/" target="_blank">www.friendsofthecongo.org</a> <a style="" href="http://www.congoglobalaction.org/" target="_blank">www.congoglobalaction.org</a></strong><br /><br /></font>  </div>  ]]></content:encoded></item><item><title><![CDATA[What is Wrong with Hip Hop?]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/what-is-wrong-with-hip-hop.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/what-is-wrong-with-hip-hop.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:49:17 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/what-is-wrong-with-hip-hop.html</guid><description><![CDATA[ 						 WHAT IS WRONG WITH HIP HOP?  20/02/09 It starts with a love of Hip Hop.  The great atmospheres of  the  &lsquo;Golden Era&rsquo; producers of the early nineties,  coupled with the  grit  and realism of artists who really meant what they were  saying.  Aged  fourteen, there was nothing better to listen to, but just as it   was  about to come into its own, it d [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "> 						 <font size="3"><strong style="">WHAT IS WRONG WITH HIP HOP?</strong><br /><br />  20/02/09<br /><br /> It starts with a love of Hip Hop.  The great atmospheres of  the  &lsquo;Golden Era&rsquo; producers of the early nineties,  coupled with the  grit  and realism of artists who really meant what they were  saying.  Aged  fourteen, there was nothing better to listen to, but just as it   was  about to come into its own, it disappeared.<br /><br /> The remnants of this era still exist  in the form of  &lsquo;traditional&rsquo;  producers, using the same late seventies and  eighties  equipment that  forged the dusty and gritty sound that could capture  the  ear, but as  in any other case, it&rsquo;s just not the same.<br /><br /> Everything around us moves and  changes. The problem is  having a  passion for a genre of music which has already  had its day, or  so we  think. To keep the traditional, simple, but effective  sound is  almost  denying this basic rule of evolution. The difficulty is picking   up the  flow where it left off. The difficultly, we feel, is that in  general  Hip  Hop artists have no idea how to get back to the path of   atmosphere, rhythm, flow,  content, and character.<br /><br /> Capitalism will capitalize. Nothing  is safe. It has laid  its sinewy  fingers on all aspects of our lives, inner and  outer, and  will not  cease to do so unless we sacrifice comfort for clarity. To   assume that  a niche genre of music would be exempt from this fact is at  best   wishful thinking. Its card came up, and now we are witnessing the   effects upon  the music which once had something different. It had never   been touched.<br /><br /> The most insidious aspect of the  manipulation of Hip Hop  is that it  is very difficult to blame. In the painful  creations that  we watch on  our televisions (watching music?) there is also a  tale  which touches  the heart. As the music has failed, it has sprung a very   real road to  very real success for people, not all, but most, who have  lived  with  the worst side of nothing to believe in.<br /><br /> My first major blow came when I  discovered that Rawkus  Records, a  U.S. bastion of underground Hip Hop, was  owned and run by  James  Murdoch, son of the infamous Rupert Murdoch, media tycoon  and  right  wing political thinker. His son had set up the label while at    university in the U.S., and it had blossomed into one of the finest   bases for  good, solid, and content rich material in the world.<br /><br /> Rawkus was infused with radical  thinkers, poets, and  &lsquo;movers&rsquo; who  provided some of the best tracks made, in my  humble. Aside  from this,  one of the most interesting aspects of this suspicious   arrangement was  that many of the artists were Muslim, and motivated with  strong   opinions and angles for Islam in the modern west, something  that for  anyone who  knows the doctrine of the Murdoch dynasty, is a  stark  contradiction.<br /><br /> The label began to slump after 2000,  with many of the  artists on  its roster moving on or frankly completely  stagnating  (Eminem made a  brief appearance on its books) but for some it was  the  starting block  for a profound change in tack.<br /><br /> &lsquo;Common&rsquo;, formerly &lsquo;Common Sense&rsquo;,  was a well spoken,  conscious,  and heartfelt artist with mild Islamic views and  an eye for  change. In  his video for &lsquo;The Truth&rsquo; he is pictured leading a   revolutionary riot  through the streets of an unknown city. Recently I  was  flicking  through a copy of GQ magazine, when my advertising  battered vision   came to rest on yours truly modeling jumpers for GAP.  All well and good  (sort of)  until you realize that GAP have an  especially fruity track  record with  outsourcing production to third  world countries. He has  since gone on to acting  and still has a record  deal, albeit with all  his former revolutionary rhetoric  conveniently  nipped and tucked.<br /><br /> The list goes on. Mos Def, once a  spokesman for black  intelligence  and advancement, has managed to play the role  of a nearly  retarded  criminal in &lsquo;13 Blocks&rsquo;, and to be honest,&nbsp; the same  character  in &lsquo;Be  Kind Rewind&rsquo;. All well and good, but he spent ten years in   music  trying to enlighten his listeners to be something more than being    retarded criminals.<br /><br /> So the dilemma is based around the  fact that as many Hip  hop  artists are rewarded with the spoils of fame and  success, the  music  which brought them to where they are increasingly suffers.  So  what can  be done? Should we accept that a genre with so much potential  for   development has had its day and the great stories and atmospheres  of  the  nineties were a brief stop on the way towards Hip Hop&rsquo;s true   destiny? The  answer is no.<br /><br /> The basic elements of rap music are  essentially free.  There are no  boundaries or limitations upon the content of  the rhyming  prose  delivered over backing beats. The limitations exist within  the  mind of  the writer. There are no limitations upon the sound of the  backing   beats, bar the limitations of the producer. Hip Hop is  essentially  free, yet  exists in a state of absolute confinement.<br /><br /> To elaborate further inevitably  leads towards the mixing  of the  genres and on to philosophical blabbering about  the essentials  which  formulate music.<br /><br /> The point is that if you really  think about it, as &lsquo;K-OS&rsquo; puts it; &lsquo;Hip Hop is not dead, it&rsquo;s just the mind of  the MC&rsquo;.<br /><br /> It all needs to be rethought. We  need to forget about  the stigmas  most commonly associated with Hip Hop, and let  it be what  it needs to  be. Lay aside the black thing, the ghetto thing, the  tuff  thing, and  the aggressive natures and reservations towards each other.  Let  it be  beats and rhymes and freedom to say what you want to say. The  music is   not developing because the people involved in it are not  developing in   themselves.<br /><br /> The potential is huge. The basic  premise of a story or  descriptive  scene fused with rhythm and flow, plus a  heartfelt and  solid delivery  is one which opens the genre to limitless  possibilities.  You could  cover literally anything you wished, from the movement  of  the cosmos  to the basics of building a computer. It is waiting to be  done,   untapped, and may well be one of the last big movements in music.<br /><br /> Artists need to read and research,  producers need to  learn and  expand. The reason, time after time, that types of  music stay   underground is because they lack the content to survive on the    surface. Great music carries itself, it speaks and connects, and with   that  energy, people speak and connect when listening or referring to   that music.  When this energy is packaged and marketed, it invariably   loses its essence.<br /><br /> It needs real people with real  things to say, who are  creatively  inspired and who understand themselves and  the world around  them, who  write and practice to develop their abilities, and  who read  and pay  attention to their acquisition of beneficial knowledge. If the    boundaries can begin to dissolve, artists will begin to feel more at   liberty to  express their creativity, without the pressures of a failing   scene bearing down  on them. There is no other form of music which can   evoke imagery like Hip Hop,  it is now one of the most popular genres  on  the planet, yet it is so far from  meeting its potential.<br /><br />  O.N. 20-02-09<br /><br /></font> 											</div>  ]]></content:encoded></item><item><title><![CDATA[Database State]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/database-state.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/database-state.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:47:34 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/database-state.html</guid><description><![CDATA[ DATABASE STATE: THE EROSION OF BRITISH CIVIL LIBERTIES 6/6/2009  &ldquo;We can not defend  freedom abroad by deserting it at home.&rdquo; EDWARD R. MURROW   The United Kingdom  is a nation of over sixty million people. It   rests on the third most populated  island on earth, with an average of   over six hu [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "><font size="3"> DATABASE STATE: THE EROSION OF BRITISH CIVIL LIBERTIES<br /><br /> 6/6/2009<br /><br /></font> <font size="3"><br /> &ldquo;We can not defend  freedom abroad by deserting it at home.&rdquo;<br /><br /> EDWARD R. MURROW<br /><br /></font> <font size="3"><br /><br />  The United Kingdom  is a nation of over sixty million people. It   rests on the third most populated  island on earth, with an average of   over six hundred citizens living per each  of its square miles. 90% of   the UK&rsquo;s  population live in urbanised areas. Its nearest neighbour,   France, hosts a  population of only a few million more, but with an area   of nearly three times  its size.<br /> In  recent years, the UK&rsquo;s economy (currently around the sixth largest   GDP), and  liberal benefits system have provided a much needed reprieve   from the crumbling  governments of Africa and failing economies of   Eastern Europe. Even in times of  recession, the UK  remains a developed   nation of enviable stability.<br /><br /> So what has caused the UK,  once a beacon of liberty, to be ranked in   the top five nations, only just below  Russia  and China,  for abuse  of  state power and public surveillance?<br /><br /></font> <font size="3"><br /><br /><a style="" href="http://www.privacyinternational.org/">Privacy International</a>,   an NGO  based in the UK  with offices in the US,  conducted a study in   2007 to outline worldwide levels of privacy abuse. Out of  the 47   analysed, Greece  was the sole country to be judged as having adequate   safeguards.<br /> The UK ranked  amongst the worst for the following:<br /><br /></font>  <ul style=""><li style=""><font size="3">Constitutional protection</font></li><li style=""><font size="3">Identity measures / Biometrics</font></li><li style=""><font size="3">Data-sharing</font></li><li style=""><font size="3">Visual surveillance</font></li><li style=""><font size="3">Communications interceptions</font></li><li style=""><font size="3">Communications data retention</font></li><li style=""><font size="3">Surveillance of medical, financial, and physical movement</font></li><li style=""><font size="3">Border and trans border issues</font></li><li style=""><font size="3">Leadership</font></li></ul> <font size="3"><strong style="">What is a Civil  Right, and what are Civil Liberties?</strong><br /><br /><strong style=""> &lsquo;Civil and political rights</strong>are  a  class of&nbsp;rights&nbsp;and&nbsp;freedoms&nbsp;that protect&nbsp;individuals&nbsp;from   the&nbsp;government&nbsp;and&nbsp;state power&nbsp;and assure the ability to  participate in   the civil and political life of the&nbsp;state.&rsquo;<br /> &lsquo;<strong style="">Civil  liberties</strong> are&nbsp;freedoms&nbsp;that  protect  an&nbsp;individual&nbsp;from the&nbsp;government&nbsp;of the&nbsp;nation&nbsp;in which they  reside.  Civil  liberties set limits for government so that it cannot  abuse  its&nbsp;power&nbsp;and interfere unduly with the  lives of its citizens.&rsquo;<br /><br /> The problem that the UK faces lies not with sudden  implementation,   but the steady &lsquo;creep&rsquo; of measures already legislated, the  furthest   potential of which could see the country plunged into a 1984&prime;esque    Draconian nightmare, but as for the present, Oceania is still far away.<br /><br /> The word &lsquo;democracy&rsquo; derives from the Greek &lsquo;Demos&rsquo;  (people)  and  Kratos (strength). Its direct meaning is &lsquo;the power of the  people.&rsquo;   This upheld, every Citizen of a country under democratic rule rests on    the premise that they are valued as having the ability to contribute to   the  acceptance or rejection of their leaders. It takes only a brisk   look at history  to realise that a system as simple as democracy should   not be taken for  granted.<br /><br /> The UK provides for its people a first class medical  system,   financial support to the unemployed (and uninspired), a comprehensive,    largely uncorrupted Police force, a well trained and equipped military,   and a  host of civil services which in comparison project other  nations  back into the  Stone Age.<br /><br /><em style="">&ldquo;Government big enough to  supply everything you need is big enough to take everything you have&rdquo; </em>THOMAS  JEFFERSON<br /><br /> There are nearly twenty million more people in The UK than one   hundred  years ago, and the figure will rise into the mid sixties within   ten years. Use  a nightclub as a metaphor. The security is our   Government, the clubbers are UK citizens,  and the Club is the country.   The UK is the equivalent of a wall to  wall filled nightclub of   revellers, all of which pose a certain risk to each  other and   ultimately to the security staff themselves. Every weekend, there  seems   to be trouble of some form, and the club seems to be getting more and    more popular. After weeks of fights, arguments and drunken high jinks,   the security  staff are getting tired and disillusioned. It&rsquo;s not in  the  interest of the club  to do it, but the management have asked to  start  taking the details of the  trouble makers and refusing their  entry. The  result, although losing the club a  significant amount of  money, frees  up the attention of the security staff to be  able to  recognise new  trouble makers and other potential threats like drug   dealing and  vandalism.<br /><br /> The basis of the government&rsquo;s actions has seeded from a  deep set   requirement for stability. The maintenance of public contentment is a    constant task, and parliamentary decisions which please the majority   often  infuriate the minority. This said, there has to be a line drawn   between the  public&rsquo;s opinion of political process, and reactions that   scream that something  is wrong.<br /><br /> THE TERRORISM ACT 2000<br /><br /> Since the inception of the Terrorism Act, the UK has raised  the   longest period of pre-charge detention of any democracy on the planet,   longer  even than Zimbabwe.  At 42 days, it stands as a constant pillar   of debate. Unfortunate for the  terrorist one may think, but this   sweeping piece of legislation is gathering  innocent citizens in its   grasp. It is the use of the Terrorism Act on point of  action that has   proven to be the problem. Just one of many examples over the  last nine   years saw a disabled twelve year old boy and his parents detained   under  the act, the police accusing his mother of people trafficking her  mixed   race son. The family were surrounded by ten police officers for  two  hours, all  under the allowance of the Terrorism Act.<br /><br /> Coupled with this are the powers of the Terrorism Act&rsquo;s &lsquo;control   orders&rsquo; &ndash; a series of severe restrictions placed on people merely <em style="">suspected</em><br /><br /> Stop and search, fuelled  with new terrorism powers, has cases running at over forty thousand per year.<br /><br /> IDENTITY CARDS AND BIOMETRICS<br /><br /> In 2003, the Government announced its plans for the ID  card,   supported by the National Identity Register, an expansive database    storing the personal information of every UK citizen and foreign   national. Over  fifty pieces of information, as well as iris scans and   fingerprints are  expected to be taken in order to be shared with   complete transparency between relevant  departments, agencies, and even   foreign governments. The ID card system promises  to tackle benefit   fraud, illegal immigration, and terrorism. Three major points  easily   render the plan useless:<br /> Benefit fraud is most practiced by people providing false   information  about their personal circumstances, not saying they are  someone  else  altogether.<br /> Short term visitors to this country (under three months)  are  not  required to carry ID cards. Even if this was amended, the digital    information stored in ID cards and Biometric passports can be cloned   within  minutes, something that those involved with illegal immigration   would surely  exploit.<br /> The ID card system has promised to help prevent terrorism,   although  Spanish ID cards did not stop the 2004 Madrid bombings, Turkish  cards  did not stop  the 2003 Istanbul  bombings, and German ID cards  did not  stop the Hamburg terrorist cell that planned 9/11.  Again, short  term  visitors will not be required to carry cards.         The ID plan, if  implemented, will cost around &pound;18bn. The   individual will be expected  to pay for their card and biometric passport  at a  cost of just under  &pound;100. Although the terrorist threat is real,  surely this  vast sum of  money could be used to reinforce our homeland  security and   intelligence?<br /><br /> CLOSED CIRCUIT TELEVISION  CAMERAS (CCTV)<br /><br /> The UK  has the largest collection of CCTV cameras in the world.  At  around 4.2 million,  it provides one camera per 14 citizens.  Londoners  can expect to be filmed by  separate units up to 300 times per  day, all  under the watch of a tiny island  with almost a fifth of the  world&rsquo;s  share of surveillance cameras.<br /> It is wrong to portray CCTV cameras in a similar light to  the  ID card.  They do help. Without doubt there have been huge benefits in  crime   prevention since their inception, but CCTV was introduced in the  1980s  to  tackle crime, anti social behaviour, and terrorism.<br /> We now see CCTV monitoring speed limits, parking laws and  bus  lanes,  not to mention the number plate recognition system installed into   the  cameras of the London  congestion charge, DVLA and police  monitoring  systems. No one in the UK has any idea  of exactly how may  CCTV cameras  are in use, only the 4.2 million estimate. There  are  obvious  benefits, but one must ask whether their use has reached its  limit.  Of  all CCTV footage captured by police to be used as evidence,  80% is  useless.  Since 1997, over half a billion pounds has been spent  on CCTV  equipment that  has provided material that cannot be used by the   police. Again, the ominous  potential of function creep could create an   environment not dissimilar to the  images of Minority Report, the short   story of Philip K. Dick first published in 1956.<br /><br /> Enter a world of  facial recognition, of conversation analysing   microphones, backed by aerial  drones. Imagine a society where   individual characteristics are collected and  logged over the course of   your lifetime, to be referred back to when signs  appear of suspicious   or high risk behaviour. Imagine adverts appearing before  you as you   walk down the street, which somehow seem to tend to exactly what you    would most want at the time. Of course, because your body language and   movements  have just been analysed by one of the advertising systems   that you are  approaching. Imagine a job interview with biometric and   psychometric tests.  Imagine the loneliness of age when nursing is made   obsolete by remote  monitoring, needing fewer and fewer human staff.   Imagine walking into a store,  taking what you want, and walking out.   Theft? The high street of the future is  a network of RFID readers which   link directly to your bank account. Seamless  integration between   personal devices now separate will be normality, each  communicating   with each other, the internet, and GPS satellites as you go about  your   business. It is a maelstrom of potential threats to Civil Liberty, and   the  foundations of something far deeper if allowed to be implemented.<br /><br /> DEOXYRIBONUCLEIC ACID (<em style=""><strong style="">DNA</strong></em>)<br /> Our DNA contains the basic codes of our human form, storing   our  individual physical characteristics and family traits. The police  DNA   database was first introduced in 1995. Its goal was to enable  police   investigators to collect, store, and reference DNA samples from  crime  scenes  and suspects, helping them to come to well evidenced and   reliable prosecutions.<br /> The UK  now has the largest DNA database on the planet, over  ten times  the size of the US in relevant  terms. 5 million individual  profiles  are logged within the system, a figure  approaching ten percent  of the  population. Samples have been taken from over a  million  innocent  people, including around 100,000 children, their data staying   in the  system without any apparent need.<br /><br /> In one week, the  average person living in Britain  has 3,254 pieces   of personal information stored about him or her, most of which  is kept   in databases for years and in some cases indefinitely. The data  include   details about shopping habits, mobile phone use, emails,  locations  during the  day, journeys and internet searches. Phone  companies retain  data about their  customers and give it to around 650  public bodies on  request.<br /><br /> Mobile  Phones Every day the  average person makes three mobile phone calls and sends at least two text  messages.<br /> Each time the  network provider logs information about who was  called  as well as the caller&rsquo;s  location and direction of travel,  worked out  by triangulation from phone masts.<br /> Customers can  also have their locations tracked even when  they are not  using their phones, as  the devices send out unique  identifying  signals at regular intervals.<br /> All of this  information can be accessed by police and other public authorities  investigating crimes.<br /><br /><strong style="">THE INTERNET</strong> Internet  service providers (ISPs) compile information about their   customers when they go  online, including name, address, IP address, any   browser used and location.<br /> They also keep details of emails, such as to whom they  were sent, together with the date and time.<br /> Internet search  engines also compile data about their users,  including  the IP address and what  was searched for. Google receives  around 68  searches from the average person  each day and stores this  data for 18  months.<br /><br /> LOYALTY  CARDS Store  &ldquo;loyalty&rdquo; cards also retain large amounts of information about    individuals who have signed up to use them. They link a person&rsquo;s   personal  details to the outlets used, the transaction times and how   much is spent.<br /><br /> In the case of  Nectar cards, which are used by more than 10 million   people in Britain at  least once a week, information from dozens of   shops is compiled, giving a  detailed picture of a cardholder&rsquo;s shopping   habits.<br /><br /> BANKS Banks can also  be required to hand over personal account information   to the authorities if  requested as part of an investigation.<br /> They also  provide personal data to credit reference agencies, debt collectors and fraud  prevention organisations.<br /> Debit and  credit card transactions can give information about where and on what people  are spending their money.<br /><br /> PUBLIC  TRANSPORT Travel passes such  as the Oyster Card used can also reveal   remarkable amounts of information about  an individual. When they are   registered to a person&rsquo;s name, they record journey  history, dates,   times and fares.<br /> A spokesman for  TFL, which runs the Oyster Card system,  insisted that  access to this  information was restricted to its customer  services  agents.<br /> Police,  however, can also obtain this information and have  used Oyster Card journey  records as evidence in criminal cases.<br /><br /> As Citizens of Britain, we are protected by the European Convention   on Human Rights, with  which we were one of the first countries to sign   up to in 1953. The Bill  consists of six separate protocols, within   which are the basic laws that grant  us our freedom as citizens. These   include comprehensive protection of privacy,  and around 15 sub   categories that cover telephone tapping to search by customs  and   excise. It is vitally important that we remember our power as citizens.    There are too many people who coin the phrase &lsquo;what can we do?&rsquo; and   this is  simply wrong.<br /> Civil Action and Judicial Review  are the vehicles that  provide us with  the substance of our power as citizens.  The reality  beyond the  melancholic attitudes of Britain is that with due attention   and  research, plus assertiveness on point of prosecution or other event,  we  can  vastly improve our standing in relation to the threat to our   rights.<br /><br /> As  before mentioned, the concern is not sudden implementation,  but  the steady  function creep of measures already legislated. All of  the  areas of threat to  our Civil Liberties mentioned in this article  have  their benefits to our society;  however the issue that must be   reinforced is the line between relevant effect,  and encroachment on   privacy and thus Liberty.  If the laws which govern these measures are   allowed to bleed into each other,  the potential for a database state is   starkly real. It is the follow<br /><br /> on from this which poses the true  threat, because when we have no rights left, all that is left will be right.<br /><br /> O.N. 6-6-2009<br /> This article  contains extracts from the excellent book &lsquo;The Assault on Liberty&rsquo; by Dominic Raab.<br /><br /> ISBN  978-0-00-729339-1<br /><br /> Also the Daily  Telegraph article &lsquo;How Big Brother watches your every move&rsquo; by Richard Grey<br /><br /> And  extracts from the website <a style="" href="http://www.liberty-human-rights.org.uk/">http://www.liberty-human-rights.org.uk/</a><br /><br /><a style="" href="http://www.no2id.net/">http://www.no2id.net/</a> <a style="" href="http://www.no-cctv.org.uk/">http://www.no-cctv.org.uk/</a><br /><br /></font>    of involvement in Terrorism.  Measures include control of who the   suspect may speak to, barring of the internet,  television and   telephone, and restrictions on when a person may leave their  home and   where they may go, effectively a house arrest of up to sixteen hours    per day.  </div>  ]]></content:encoded></item><item><title><![CDATA[Caught in the Web]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/caught-in-the-web.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/caught-in-the-web.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:46:08 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/caught-in-the-web.html</guid><description><![CDATA[ CAUGHT IN THE WEB: THE INTERNET PAST, PRESENT AND FUTURE  18/7/20091,581,571,589. This is the number of internet users when the World  Wide Web was last analysed. 23.6% of the population of planet Earth. Since  its birth to the general public in the mid  nineties, the  Internet has become an  intrinsic part of our daily lives.   [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "> <font size="3"><strong style="">CAUGHT IN THE WEB: THE INTERNET PAST, PRESENT AND FUTURE</strong><br /><br />  18/7/2009<br /><br /><strong style="">1,581,571,589</strong>. This is the number of internet users when the World  Wide Web was last analysed. 23.6% of the population of planet Earth.<br /><br /> Since  its birth to the general public in the mid  nineties, the  Internet has become an  intrinsic part of our daily lives.  What were  letters are now emails, what were  shops are now retail  websites. An  extended group of friends who might have  stayed in touch  via the  occasional telephone call now can observe each others   activities  amongst hundreds of others on social networking sites. The  list   continues. The question is how has something that has emerged so   recently  already grown to the proportions that we see today? Where did   the internet come  from, what is it at the present time and what could   it become in the future?<br /><br /> - BIRTH -<br /><br /> Firstly  it is important to remember the physicality of the   Internet; a network of  interlinked computers connected by copper, fibre   optic and wireless technology.  These computers communicate with each   other via Internet Protocol  Suite (TCP/IP or transmission control   protocol and internet protocol), and  various programs operating through   the use of E-mail, online gaming, file  transfer, file sharing, and   person to person voice and video communication, to  name a few.<br /><br /> To discover how the Internet emerged we must first go back   to  October 4th 1957, and the launch into orbit of the unmanned  Russian   satellite, Sputnik.<br /><br /> The Cold War between the Soviet Union and The USA had been   in  effect for around a decade, with the tensions between the two powers    increasingly mounting. Sputnik 1 was the first artificial and unmanned    satellite in space and so gained the Soviet Union the victory in the   well  renowned &lsquo;Space Race&rsquo;. As a reaction to this endeavour, the United   States began  to create a project that would earn them a vitally   important technological lead  over their adversary. It was named &lsquo;ARPA&rsquo;   or<br /> The Advanced Research Projects Agency, and came to life in  February 1958.<br /><br /><em style="">&lsquo;DARPA&rsquo;s original  mission, established in 1958, was to  prevent  technological surprise like the  launch of Sputnik, which  signalled  that the Soviets had beaten the U.S. into  space. The mission  statement  has evolved over time. Today, DARPA&rsquo;s mission is  still to  prevent  technological surprise to the US, but also to create   technological  surprise for our enemies.&rsquo;</em><br /><br /> It is important to take into account that prior to this   time, the  computers that were in use used a method of calculation known  as   &lsquo;Batch Processing&rsquo;. This required one processing job to be  completely  finished  before another could be started, so using huge  banks of  individual computers  kept in cooled chambers. Operators who  once could  perform maintenance directly  on their computers now could  not access  their chambers to perform their task.  To iron out glitches,   technicians had to be employed to work on the computers  and manually re   enter information resulting in a massively frustrating and  arduous   process.<br /><br /> The birth of ARPA created a huge forward step for computing.   The  first remote connections were developed so technicians no longer  needed  to  perform manual work, and the instance of &lsquo;Time Sharing&rsquo; came  in  effect. This  enabled the processing power of one computer to be  shared  by multiple users, so  vastly increasing processing speeds and   distributing power to the needs of  active users, rather than using a   division of the full potential between a set  number of terminals,   whether actively or inactively using the system.<br /><br /> In 1966 ARPA developed this technology and created the first   packet  switching computer network, aimed at efficient knowledge  transfer   between the various Governmental departments of the USA. So  followed  the  decentralisation of information systems, vital in the  instance of a  nuclear  attack, and the distribution of this data via  cables as  opposed to radio waves.  This would become &lsquo;ARPANET&rsquo; &ndash; the  predecessor  of the Internet we use today.<br /><br /> - THE PRESENT -<br /><br /> Since 1990, the Internet has expanded exponentially. With   over a  billion users worldwide, it is without a doubt the most important    technological development of our time. Over the course of just under   twenty  years, we have integrated the various aspects of our personal   lives deep within  the humming server banks of websites worldwide. The   Internet courses with  financial details, personal messages, photos,   videos, documents, video games,  and of course the vast virtual span of   E-commerce.<br /><br /> The United Kingdom, as of 2009, has the seventh highest   Internet  usage worldwide with nearly 44 million users. Since 2000,  growth in   users has risen by over 180%.<br /> China tops the scales with nearly 300 million users, but  less  than a  third of the proportion by population compared to the UK  (currently   over 70% &ndash; one of the highest in the world). Nearly 80% of  people aged  16-24 in  the UK use the Internet on a daily basis.<br /><br /> So how has an information sharing network technology   originally  developed by the US Government become a fundamental part of  our  lives  in modern society?<br /><br /><em style="">Firstly it is  important to know that the Internet refers  to the  technology that enables  computers to communicate with each  other on a  worldwide scale. The World Wide  Web is the system of  interlinked  hypertext documents within the Internet. A  small point now,  but it may  be very useful over the next few years.</em><br /><br /> In 1990, British computer scientist and MIT professor Tim    Berners-Lee developed the first web browser &ndash;&lsquo;WorldWideWeb&rsquo;. The Web   steadily  grew until 1994, when the first stages of online commerce   began to appear. 15  years later, the United States is generating over   200 billion dollars in online  sales, with yearly increases rising   steadily.<br /><br /> Connection speeds in the UK have soared from the original   56k dial  up modem connections to over 20mb per second, with one Swedish    individual&rsquo;s boasting a 5GB service; that is a full high definition DVD   in just  under two seconds. Although the increase is profound, the UK   remains 41st  in the world for download speeds.<br /><br /> Isolated terminals in Schools and Universities have become    sprawling Wireless Hotspots. The Internet has developed into the   foremost means  of communication, and even spawned entirely new language   groups from the use of  abbreviation in online conversations.<br /><br /> Internet forums covering a vast  array of subjects have  become  enormous centres of knowledge and information,  the most  populated of  which, Gaia online, is frequented by over 18 million   members. To put  that into perspective, that is approximately the same  number as  the  population of Angola, brought together to discuss  role-playing video  games.<br /><br /> The World Wide Web, in less than ten years, has expanded its   reach  and strengthened its grasp with over 55 Trillion links interwoven   between  its nearly 200 million sites. It is estimated that hyperlinks   are clicked over  100 billion times every day. In the time that it took   you to read this line, 2  million emails and 1 million instant messages   would have been sent, with around  8 terabytes of web traffic in the   same period of time. Rough calculations put  the total amount of data   online at around 500 Exabytes. (One Exabyte is 1 with  18 zeros   following bytes) To put this in perspective, the sum of all   human-produced  information (including all audio, video recordings and   text/books) was about 12  Exabytes of data, as of ten years ago.<br /><br /> As much as the Internet has helped to expose the current and    forthcoming energy crisis, the Internet and it&rsquo;s associated hardware   uses 5% of  the world&rsquo;s available electricity.<br /><br /> Social networking sites such as Facebook, Myspace, and   Twitter have  changed the face of communication. Facebook now boasts more  than  200  million active users, 50% of whom log into the website at  least once  every  24 hours. Myspace holds around the same amount of  users.<br /><br /> Online gaming has also taken the  Web by storm, the most  popular of  which, with an almost 65% majority in the  market, is World  of  Warcraft: With over 12 million dedicated monthly  subscribers it has   become far more than a game. Other titles share the same  obsession; one   28-year-old South Korean man played &lsquo;Starcraft&rsquo;, an online  military   strategy game, for over 50 hours straight before collapsing. The post    mortem concluded that heart failure due to malnourishment, dehydration   and lack  of sleep was the cause of death. Online gaming has also   emerged into the  physical realm with an ever-growing market for virtual   attributes such as weaponry  or abilities. In one case, &lsquo;Shanda&rsquo; a   Chinese role-playing gamer, became  involved with the genuine Chinese   Police after virtually selling stolen virtual  items to a fellow gamer.   The items were removed from the purchaser&rsquo;s account,  and &lsquo;Shanda&rsquo; was   subsequently sued in a real Court.&nbsp; An incident in Japan in 2008 saw a    43-year-old Japanese piano teacher find herself in real jail after   viciously  murdering her ex-husband&hellip;in &lsquo;Maple Story&rsquo;. According to   reports, the woman&rsquo;s  virtual husband suddenly divorced her in mid-May,   which lead to her to log on  with the 33-year-old man&rsquo;s username and   password in order to delete his game  profile. When the man discovered   the death of his character, he called the real  police. The alleged   virtual murderer has now been jailed for suspicion of  illegally   accessing a computer and manipulating electronic data, which in Japan    can carry a five-year prison sentence or a fine of up to $5,000. The   game  &lsquo;Second Life&rsquo; comprises an entire virtual world known as &lsquo;The   Grid&rsquo; where users  can make real (?) money from the virtual trading of   virtually designed items in  virtual shops. The Video Game industry has   grown exponentially and will surpass  the film industry soon if it has   not already.<br /><br /> Unsurprisingly, some of the first websites were pornography    orientated. Today, nearly 30,000 people per second are viewing web   pornography,  with a new video being produced every 39 minutes, 24 hours   a day. Roughly 12%  of all websites (that&rsquo;s 24 million) are   pornographic, with over 250 new  addresses appearing daily. 25% of all   search engine requests are for porn. 35%  of all Internet downloads are   pornographic in nature. Around 55 GBP per second  is being spent on the   industry worldwide. In 2006, the calculated revenue from  the US porn   industry was $2.84 billion, with 89% of the world market is  contained   in the US.<br /><br /> - THE FUTURE -<br /><br /><strong style="">The World Wide Web  has now reached a similar complexity as the human brain, </strong>the   most distinct  difference being that our human processing power is not   doubling every two  years. Thirty years from now, the Web will reach  the  equivalent of six billion  human brains (roughly the population of  the  world). If allowed to continue, the  Internet and World Wide Web  will  exceed the combined processing power of the <strong style="">entire</strong> human family by 2040.<br /><br /> Quoted from &lsquo;Global Brain&rsquo; by Dick Pelletier:<br /><br /><em style="">&lsquo;Experts compare the  Internet to a planet growing a  global  brain. As users, we represent the  neurons. Texting, emails, and  IM act  as nerve endings, and electromagnetic  waves through the sky  become  neural pathways. Like germinating seeds, this  global brain  continues  to evolve and as some forward-thinkers believe, will not  stop  until it  develops feelings and achieves consciousnesses.&rsquo;</em><br /><br /> The future of the Internet and  World Wide Web points towards  a need  for complete transparency from its  respective users in order to   integrate seamlessly with the host of services and  sources of   information that it will provide. The premise of the Web&rsquo;s future  seems   to be expectant of a comprehensive submission of personal details and    lifestyle information in order to function as promised, until  something  of a  status quo is reached. With this in account, the  potential for a  Speight of  Civil Liberty infringements is worryingly  close, not to  mention the enormous  disadvantage that citizens who feel  uncomfortable  with submitting the  components of their personal lives  online may  suddenly find themselves  encountering. Could we see a  social divide  between people living on and offline  in the next few  decades?<br /><br /> One of the most apparent advances  in the dynamic of the  Internet  and World Wide Web currently is cloud computing.  At the  present time,  most programs and applications are installed and run from   individual  computers. Programs that could have been purchased for  significant   amounts of money may lie unused on many systems, resulting  in wasted  storage  and a drain on processing power. This new advance in  Internet  technology draws  directly from a &lsquo;cloud&rsquo; of virtualized  programs,  running from larger severs  around the world. Computers will  no longer  be limited to the processing power  of their components, the  only  required hardware being an Internet connection, a  screen, mouse,  and  keyboard. Gamers who currently are expected to purchase new   hardware  due to the ever-increasing demands of video games will need  only a   monthly subscription and an Internet connection, eventually  rendering  the  entire video gaming hardware market obsolete.<br /> The future will see us drawing  our information and  applications  usually run from the confines of your home  directly from  &lsquo;The Cloud&rsquo;,  in the case of businesses, huge costs will be able  to be  shed in  return for a simple subscription fee. Concerns have been raised   over  potential issues with confidentiality and data integrity, however.<br /><br /> A host of other advances lay in  wait, some positive, some  not so  positive, others definitively negative. One of  these is &lsquo;Phorm&rsquo;,  an  online advertising company responsible for some of the  first adware   seen online. In brief, Phorm seeks to collect online browsing  habits   in order to focus user specific advertising on your screen. One BBC    report mentioned Phorm&rsquo;s potential to use our computers inbuilt webcams   and  mics to collect data, using the example of hearing a dog barking   through the  microphone while online, and bringing up Pet food or   Vetinary advertising on  relevant Phorm enabled pages.<br /><br /> Current trends are moving towards  the integration and   synchronisation of more and more personal devices into the  World Wide   Web. Web enabled mobiles are now a common occurrence, many of which  are   GPS or Global Positioning System enabled (another military invention).   This  allows tripartite tracking of a person&rsquo;s whereabouts, primarily   from phone  signals, satellites, and wireless Internet connections.   Quite simply, if anyone  mentions personal tracking devices in the   future, it is already here.<br /><br /> Radio Frequency Identity Tags  (RFID) are fast becoming  commonplace  in various applications. They operate in  three separate  states,  passive, semi passive, and active, and transmit small  amounts  of data  to RFID readers nearby. Further articles will cover this issue   in  full, but the RFID tag will be a crucial part of the expansion of the   Web  into our personal lives. The expectation is that most products   will be tagged  and traceable, bringing an entirely new dynamic to   business and marketing. For  more information on abuse of Civil   Liberties please see the Database State  article.<br /><br /> The Future of the Web needs to be imagined in a certain   sense to  understand where we will be in a decade or so from now. A    comparatively tiny group of intelligent humans have created an entirely   new  paradigm of communication in a comparatively minute amount of  time,  even in  regard to the invention of the telephone in 1876 and its   evolution since. It is  crucial to understand that the Internet has   crept from the confines of ARPA and  its related projects in Europe,   where it was under the watch of small pockets  of competent, qualified   individuals, and out into the public domain, where it  is most certainly   not. Even in the stages of its infancy, to reverse the growth  and   incorporation of our lives there within would render a huge proportion   of  people living in the developed world inept to function as what we   have taken to  be normality. Even now, the consequences of a total crash   of the network and  its machinations would be unthinkable, from the   checking of ones emails to the  communications at the stratospheric   levels of world leadership. The Web becomes  more adept with every photo   uploaded, every birthday registered, and every  email sent. We are   slowly but surely downloading our lives within its memory,  and with   every piece of information we are helping it to learn about the    criteria with which we function. Could it be possible that the Internet   begins  to predict your thoughts and actions, based on calculations  from  billions of  others? Could it be that the future of this creation  is  integration with us so  deep that it becomes difficult to see a way  out?  We are the life supply to the  World Wide Web. In the same way  that  oxygen feeds the brain, we are the agents  of its existence. The   importance of keeping our lives at a safe distance from  complete   integration with the web cannot be underestimated.<br /><br /> In a haunting quote from &lsquo;The  Next 5000 Days of the Web&rsquo;,  Kevin  Kelly, editor of Wired magazine, commenting  on an emerging form  of the  Web reads:<br /><br /><em style="">&lsquo;There is only ONE machine</em><br /><em style="">The Web is its O.S.</em></font>       <font size="3"><br /><em style="">All screens look into the ONE</em></font> <font size="3"><br /><em style="">No bits will live outside the Web</em></font> <font size="3"><br /><em style="">To share is to gain</em></font> <font size="3"><br /><em style="">Let the ONE read it</em></font> <font size="3"><br /><em style="">The ONE is us&rsquo;.</em></font> <font size="3"><br /><br /> O.N.  18-7-2009<br /><br /> This  article contains extracts from the article &lsquo;Global Brain&rsquo; by Dick Pelletier on  Future blogger<br /><br /> Also  extracts from the lecture &lsquo;The next 5000 days of the Internet&rsquo; by Kevin Kelly<br /><br /> And  Information from the website Kotaku.com<br /><br /></font></div>  ]]></content:encoded></item><item><title><![CDATA[Philosophies Behind the Album]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/philosophies-behind-the-album.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/philosophies-behind-the-album.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:41:50 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/philosophies-behind-the-album.html</guid><description><![CDATA[-           FIRST WORDS - &lsquo;First Words&rsquo; was written to provide a down to earth            perspective of the immediate environment that a person living in the  U.K. or           any other capitalist nation sees around them. We chose  to record the ambient           sound of a shopping centre to give an  idea of the droves of absent minded           pedestrians that while  making our way throu [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "><font size="3">-           FIRST WORDS -<br /><br /> &lsquo;First Words&rsquo; was written to provide a down to earth            perspective of the immediate environment that a person living in the  U.K. or           any other capitalist nation sees around them. We chose  to record the ambient           sound of a shopping centre to give an  idea of the droves of absent minded           pedestrians that while  making our way through every day, we inevitably become a           part  of. The poem was written to try to capture the sense of soullessness  that           surrounds these places, the words describing the stark  contrast between the           vast potential of the human individual,  and his or her acceptance from social           conditioning that they  can be no more than a worker and family member, their           lives  playing out the same script that the millions around them rehearse every            day. First Words seeks to create a sober base for the  listener to begin the album.<br /><br /> All words by Chess.<br /><br /> - BLURRED           VISION -<br /><br /> &lsquo;Blurred Vision&rsquo; is a short spoken word poem by Radiance, a            singer, producer, and lyricist affiliated with Opanarise. The words are  set           over the original introduction to the following track,  &lsquo;Elements&rsquo;. She describes           the state of the youth of today,  their problems with alcohol and the           devastating effects of gun  crime.<br /><br /> All vocals by Radiance.<br /><br /> -           ELEMENTS -<br /><br /> While making the album, we became aware that it needed a            strong track after its introduction. After months of different versions  and ideas,           we came up with &lsquo;Elements&rsquo;, the idea being to span  the four elements of the           Alchemical world (Air, Water, Fire,  Earth), and somehow incorporate them into a           piece of music.  The short poems introduce each element i.e. &lsquo;let me breathe&rsquo;            for air, and set the scene for the oncoming passage. We sifted through  hours of           vocal snippets from various sources to find suitable  material, which was           relative and did not sound out of place.  From here we built upon the layers to           create a sense of impact  when each element begins to play. The message behind           the  track is to realise that whatever the stage that we find ourselves  socially           or politically, we will always be under the guidance  of the most simple aspects           of creation.<br /><br /> The track is           mostly sample based with composed strings and  singing on the breaks by Rosie           Corlett.  (myspace.com/rosiecorlett)<br /><br /> All words by Chess.<br /><br /> -           ASCENSION -<br /><br /> &lsquo;Ascension&rsquo; was first written in 2004, and lay untouched for            the best part of four years. It was intended to be used as a  background           soundscape, but the inclusion of a clip from Dr  Jacob Bronowski&rsquo;s &lsquo;The Ascent           of Man&rsquo; brought enough to the  track for it to be a suitable breather between           &lsquo;Elements&rsquo; and  &lsquo;Survival&rsquo;. Dr Bronowski is speaking on the site of the            Auschwitz concentration camp where he and various members of his family  were           imprisoned during World War II. The track aims to give an  image of the           stupidity of our race, and the simple teachings  that if upheld, would by           default change the way we coexist  with nature and our own kind. The words I           wrote attempt to  capture a contemplation of the expanse of a lifetime, while            standing in a place of no hope surrounded by endless potential for  positive           change.<br /><br /> The track is           half composed half sampled, singing and words by Chess.<br /><br />  -           SURVIVAL -<br /><br /> &lsquo;Survival&rsquo; was the last track to be written for the album.            The inspiration for its content came after we made the chorus (sampled  from           Fantan Mojah) and began to shape the main instrumental.  We felt that it was           important to have a lyrically strong track  at the beginning of the album, and           so Survival came to be. I  had experienced a series of dreams of huge waves           crashing  through cities and shorelines, which became the influence for the            first verse of the track. I began this verse with the image of a  young mother           and son wading through a flooded London to the  safety of an office block           inhabited by groups of survivors.  There, her and son are given treatment and as           she begins to  fall asleep, a singer&rsquo;s voice echoes down the corridors; it            chants &lsquo;Time&hellip;&hellip;&hellip;.Comes around&rsquo; (the idea being that he is another  survivor           and is saying that this has happened before and will  happen again). As she lies           next to a warm fire with her son in  her arms, she thinks back to when the           events leading up to  this point began, and so begins verse two.<br /><br /> I wanted to create an apocalyptic recount of a future of            political and natural upheaval. Economic recession, increasing military            activity in the Middle East, war, and a series of natural  disasters (Please get           in touch if you wish to play this at  your wedding), leading to an eventual           unification of world  powers. The idea is that by attempting to meddle with the           most  basic framework of our planet, the organisations responsible bring  about           their own destruction by their creator, however in the  midst of utter turmoil,           there is hope as extreme situations  can both separate and unify people, as is the           case with the  mother and child and her fellow survivors. The track ends with            the poem &lsquo;Everybody Sang&rsquo;, by the famous war poet Siegfried Sassoon,  who is           commenting on the armistice that brought the end of  World War One, which he           fought in.<br /><br /> Below is an illustration on the front cover of &lsquo;The Week&rsquo;           published two months after the album was first released.<br /><br />   -           PREPARATION -<br /><br /> &lsquo;Preparation&rsquo; was intended to be a gateway track as you pass            through the initial stages of the album. We decided to leave the track  free of           any lyrics or speech samples so that the listener can  relax between listening           to &lsquo;Survival&rsquo; and &lsquo;Avarice&rsquo;. We  wanted to create an atmosphere that kept the           darker mood of  the first section of the album without being too heavy.            Preparation was written with the thought of a need to prepare ourselves  for the           future in mind. It is entirely composed bar the drum  loop.<br /><br /> - AVARICE -<br /><br /> &lsquo;Avarice&rsquo; was another track that was           produced as an  instrumental long before becoming a complete track. Avarice in            short means greed, something which has provided huge problems for us  humans on           the minor and major scales. The track features  Jahson (myspace.com/jahsonthescientist),           Chess, and Kanetik on  vocals, with Kanetik singing on the intro. We wanted to           do  something different with the composition of the track, so we forgot  about           the standard verse, chorus, verse outlay and instead  recorded a conversation of           us talking about Civil Liberties in  the UK (for more information on Civil           Liberties see the  Database State article), this gives the listener the space to            think between verses and keeps the track aired.<br /><br /> The word &lsquo;avarice&rsquo; means &lsquo;extreme greed           for wealth&rsquo;. The  levels of profiteering that we see in the developed world seem            to make no sense. Could it be that these huge sums of money are just  the           strings that hold up the financial structure? Surely if  there were ceiling in           place to limit money made by major  businesses it would release huge amounts of           pressure on their  customers and workforce? Idealistic it may seem, but the idea            for people to keep their gold in secure buildings controlled by other  people in           exchange for pieces of paper must have seemed  ludicrous at the time.<br /><br /> Avarice tries to explore the mentality           of government and  business, with an emphasis on unity and positive action towards            change.<br /><br /> Mostly composed, singing by Kanetik and           Chess, Rhymes by Jahson, Chess, and Kanetik, with Chess on final chorus.<br /><br /> - ATHENOR           -<br /><br /> &lsquo;Athenor&rsquo; is a track about Alchemy. Please do your own            research into this subject as my description of its meaning on the track  is           solely my personal understanding of its teachings. It is  not my place to           describe it now, as it is an extremely  powerful practice and has no sympathy           for irresponsibility.<br /><br /> The speech sample at the beginning of the track is German           philosopher Karl Jung.<br /><br /> Singing by Rosie Corlett (myspace.com/rosiecorlett) and           Chess. Rhymes by Chess. <br /><br />  -           TRUTH -<br /><br /> &lsquo;Truth&rsquo; features a recorded snippet of the famous playwright            Harold Pinter&rsquo;s Nobel Prize acceptance speech. He was suffering from  throat           cancer at the time but managed to write and recite a  brilliant piece on his           disgust with the invasion of Iraq, and  the various hypocrisies that followed.           The aim of this skit  was to bring up the point that we must not get carried           away  with searching for one truth that us as a group will be able to  appreciate.           The real truth is that which is within you, which  guides and protects you and           provides only you with the  benefits that you require to live. Through this           understanding  we rise together as accomplished individuals, rather than groups            who expect &lsquo;god to do them a favour&rsquo;. The last of the lines of his  passage           &ldquo;sometimes you feel you have the truth of a moment in  your hand, then it slips           through your fingers and is lost&rdquo; are  intended to relate to the content of the           next track, Dragon.<br /><br /> The Piano is played, hums are by Chess, and main guitar is           sampled.<br /><br />  - DRAGON -<br /><br /> &lsquo;Dragon&rsquo; came about by accident. We were trawling through            drums loops and samples when suddenly two parts came together perfectly,            seeming to fit over what was left better than anything we had  heard previously.           The instrumental seemed to possess a  potency that could be listened to for           hours (you know you have  made a good beat if you can leave it playing and not           get  bored!). From there, I decided that this would be a good base for an            emotionally heavy lyric, and started to write. 192 bars later I  was finally           done! (Most verses are 16 or 32 bars)<br /><br /> The content of the verse is based around a fantasy            relationship. A young man has been left alone in the deepest stages of  love and           sits in his room remembering the experiences in the  late hours of the night. As           he begins to drift away, time  slips from him and he starts to see images of his           lady through  the course of history. She becomes an Egyptian Pharaoh, Roman            Empress, Italian and eventually English Princess, the world swirling  behind her           as she walks through the vision before him. He  retells the story of Saint           George, the patron Saint of  England, who slew a terrifying Dragon on the edge           of the  Middle East with a lance through the chest before it could devour the            Princess of a nearby village.<br /><br /> As he falls           deeper into unconsciousness, he drifts into his  past life as a local blacksmith           &ndash; shaping the rolling hills  of England and eventually recreating her body, its           form  suddenly turning to fragile wood and burning with the final cast into  the           furnace that would have perfected his creation. Struck  with disbelief, he turns           from his workshop and drifts above  the sprawling city of Rome, where he comes           to rest only to see  his love dancing with a lumbering host of Renaissance            Princes, their drunken gloating eyes transfixed as she moves through the  room.           As the panorama changes, looming Doric pillars become  sun beaten Sumerian           Carvings and he listens to her Mother from  a window as she pressures her           Daughter to bear children with a  suitable husband before bringing disgrace to           the family.<br /><br /> Time suddenly retreats as he falls deeper into sleep and him            and his fellow friends frantically journey into the Caucasus Mountains  to evade           tidal surges during a great deluge hundreds of years  before. As he watches the thundering           rains from the shelter  of a cave high up in the rocks, pools of collected water            become the outstretched Lochs of Scotland and he is once again in  Britain.           Seated on the banks of the Loch he sees her  monochrome photograph drifting on           the gloom of the surface of  the water, and he is himself with her again, in this           instance  during her greatest time of need, the room surrounding them a            latticework of resonating interwoven lines.<br /><br /> The surface of the water changes to a deep turquoise blue, sistered  with underwater           reefs and a plane swoops by overhead, carrying  her to an inaccessible island on           another side of the world.  As he turns from the shoreline, a small knife           appears in his  hand and he curses his simple upbringings, walking back to the village            where it all began, and into his workshop. There, lying on the  anvil amongst           the horseshoes which he left to cool centuries  before is a circular pendant           with a blood red crystal eye. As  he holds the object to the light of the           furnace, he begins to  see that the roots of his own existence are not quite as            simple as he, and those closest to him may have originally thought,  their own           callous expectations causing them to take into their  own hands the metaphorical           lance which, as with the story of  Saint George, was thrust into the heart of           the Dragon to keep  it from devouring the treasured Princess of the nearby            village. &nbsp;The pendant glows with           the lineage of the past Kings  of England, their images eventually fading into           his own  awestruck face.<br /><br /> Dragon is not intended to be a love story, but more of an            appreciation of how much such a profound experience, if understood, can  teach           you about the nature of our existence and the dynamic of  our true selves.<br /><br /> The lyrics for &lsquo;Dragon&rsquo; were recorded on Saint George&rsquo;s day           by complete coincidence.<br /><br /> The track is mainly based around a sample, with composed            strings and small instrumental touches, and all rhymes by Chess. Daniel            &lsquo;Sawdust&rsquo; Saunders plays the solo guitar over the final  section.<br /><br />  -           FLIGHT -<br /><br /> Flight was intended to bring the listener back down to earth            after the long journey of Dragon. We recorded the ambience of a  harbour side           building site, the newly exposed earth exciting a  group of hungry gulls           overhead. The spoken sample is taken  from &lsquo;The Corporation&rsquo;, an excellent           documentary covering the  wrongdoings of major businesses worldwide. The basis           of the  track is to highlight the point that there will be a terminal ending to            the way we are living in the present day, if we do not take  drastic measures           both personally and on a worldwide scale to  better the situation.<br /><br />  -           MIGRATION SUN -<br /><br /> &lsquo;Migration Sun&rsquo; was again an older track which was first            conceived in 2006. It is intended to bring in the first seasonal change  of the           album, where the heavier atmospheres of the previous  tracks become lighter and           more elative in sound. The  introduction features a spoken sample of Credo           Mutwa, one of  the few remaining traditional South African Sanusis or Sangomas,            who is pleading for us to wake up to the world we live in. The  inspiration for           the lyrics came from long conversations about  moving away from the UK to live           elsewhere in the world, after  coming to the conclusion that there are simply           better places  to be regardless of their crime rates or economic stabilities. The            UK provides many services to its citizens which in comparison with  less           developed countries make it on paper one of the best  places in the world to           live in. Although there should be no  reason to leave this island (the fourth           most populated in the  world) something just does not feel right. Could it be           the  looming grey skies? The seven months of perishing cold followed by warm            rain? The UK is empty in her heart. Her politics are sterile  and over           meticulous, her people lacking in substance. She  boasts some of the highest           levels of alcohol abuse, and twice  the rates of heart disease than her           similarly populated  neighbour, France. Something pulls at the heart, constantly            whispering &lsquo;Go&rsquo;, although the words are drowned by the incessant chants  of drunken           revellers who stumble through her rain washed  streets. The world awaits.           Migration Sun, for the soul of one.<br /><br /> Singing by Kanetik and Chess, rhymes by Kanetik and Chess.           Track is half sampled half composed.<br /><br />  -           DOORS -<br /><br /> &lsquo;Doors&rsquo; is about the transition from darkness to light. It            represents the change in mood that the previous track; &lsquo;Migration Sun&rsquo;  brings           to the album, seeking to encapsulate the metamorphosis  into one fluid poem.<br /><br /> Words by Chess.<br /><br /> -           THE TREE -<br /><br /> &lsquo;The Tree&rsquo; is another older track which goes back to 2006.            It took several forms before vocals were finally added in 2008. &lsquo;The  Tree&rsquo;           helps to bring in the seasonal change of the album,  lifting away from the dark           climate of the poem &lsquo;Doors&rsquo; and  helping to convey the positivity of its words.<br /><br /> It is a track about spiritual progression and understanding.            The lyric is a metaphor for the Sepirothic Tree, a system of spiritual  teaching           associated with the Kabbalah or mystical side of  Judaism. Its 22 stages map the           makeup of the human  consciousness, steadily climbing into higher realms of            awareness in the same way that a tree climbs for sunlight and oxygen. At  this           stage of the album all that matters is the soul. The  political and social           commentary of the previously darker stage  of the album has faded away,           revealing the mapping of  intuition and the roots of all things.<br /><br /> The chorus; &lsquo;and so we walk into the sky&rsquo; sums up the lyric           and hopes to galvanise the track&rsquo;s message.<br /><br /> Rhymes by Chess, singing by Kanetik and Chess.<br /><br />  -           PROGRESSION -<br /><br /> &lsquo;Progression&rsquo; is a piece completely composed by Kanetik. We            felt it carried a sublime and reflective atmosphere and so chose to use  it to           clear the air as the listener progresses into the  lighter area of the album.<br /><br /> -           LAWS OF SCIENCE -<br /><br /> &lsquo;Laws of Science&rsquo; arrives at a point of the album where we            hope the listener is at their most serene. &nbsp;The vocal samples are  researcher David Icke explaining that           the laws of science are  not as concrete as we may think. There are only rules            understood by science, which are constantly being reworked, and  understood by           people because they trust science. The  introduction of quantum theory has           finally met its tail with  the spiritual understanding that has been calmly recited           to us  for thousands of years.<br /><br /> The arrogance of the modern scientist has attempted to plant            posts and markers on that which has no form. They want to measure the  unmeasureable,           and capture what does not exist. Our science  only can explain the densest           levels of existence, ignorant of  the other energies measurable around us, and           vast amounts more  which are not. The five sense human consciousness manifests            its physical surroundings from only 4% of the energy around us,  condensing from           the unknown as a torch picks up objects in the  darkness.<br /><br /> Laws of Science attempts to be a track that conjures deep           reflection in complete tranquillity.<br /><br /> Half sampled, half composed.<br /><br /> -           WHY -<br /><br /> &lsquo;Why&rsquo; is a speech sample taken from the film &lsquo;What The Bleep            Do We Know?&rsquo; a fantastic documentary covering the nature of reality  and quantum           theory. It is intended to come across as a glimpse  of the reality of what we           are doing as humans; from an angle  without philosophical debate. Are we not           more than simply  units of labour in vast economic systems? Of course we are,            only the real issue is not that we are part of these systems, but  wilfully           ignorant of the fact that we know we can change our  lives, sacrificing the           power of our minds for the immediate  pleasures of the day to day working life.<br /><br /> -           BETTER DAY -<br /><br /> &lsquo;Better Day&rsquo; marks the end of the           serene mid section of the  album, and the descent once more into darkness. The           poem in  the middle was originally written as a standalone piece, and then            incorporated into the track as the two moods complimented each other  well.           Better Day is a track about feeling truly positive in  your heart, no matter           what the situation that you face.<br /><br /> &lsquo;Better Day&rsquo; is entirely composed, poem           by Chess.<br /><br /> -           NINE -<br /><br /> &lsquo;Nine&rsquo; was the first track we made. It goes back to 2004,            and was the accumulation of a lot of experimentation and thought. We are  both           huge Hip Hop fans, although the changes in its sound  over the last 15 years           have caused us to search amongst other  genres for production that bears the           signature sound of the  mid nineties.<br /><br /> Advances in music technology have helped various genres            enormously. Reel to reel magnetic recordings are now crystal clear  24-bit wave           files. The issue with rap music is that technology  does not aid it; in fact it           detracts from it. Use the  metaphor of a boxing match on TV: you want to see the           action,  but not in too much detail otherwise it becomes disturbing.<br /><br /> Good rap music is founded on simplicity. Intricate detail            begins to separate the various parts of the track until it lacks  cohesion. To           achieve the honest and wholesome sounds of mid  nineties rap music, producers           need to do their research and  source the relative equipment used at the time.           Please do not  listen to talking heads who tell you about using analogue            emulators etc. It doesn&rsquo;t sound the same.<br /><br /> Conscious and intelligent lyrics are one of the most            positive aspects of good rap music. It brings the genre out of its  stereotype,           and helps us to realise its potential as the most  descriptive genre in music.<br /><br /> Nine was an effort to incorporate these values into a track.            We avoided a chorus, and I wrote until I felt that the verse was  finished. The           resulting feedback gave us huge confidence to  continue with a full project.           Nine was re recorded in 2009  (The year of the Ox) with better production and           some added  instrumentation.<br /><br /> The speech sample is Bruce Lee speaking during an interview.           The track is entirely composed.<br /><br /> Singing by Kumaree, rhymes by Chess with some interjections           by Kanetik. Guitar by Kanetik.<br /><br />  -           PERSIST -<br /><br /> &lsquo;Persist&rsquo; is a track about strength and persistence. The           speech samples that begin and end the track are <em style="">Mohandas</em><em style="">Gandhi</em>,            the hugely influential and inspiring Indian thinker. The  lyric covers the need           for strength in this world, and the huge  obstacles that many of us face on the           way to our realising  our dreams.<br /><br /> It is only with tooth and nail dedication that we can            materialize what is most important to us, and this track seeks to be a            celebration of this. Again, the track was conceived as a basic  structure in           2007, and then completely revised for the album.<br /><br /> The instrumental that accompanies the main verse is half           sampled half composed, with the final ending mostly composed.<br /><br /> All singing, words and rhymes by Chess.<br /><br />  -           GETTING IN TOUCH -<br /><br /> &lsquo;Getting in Touch&rsquo; is probably the one track on the album            which directly appeals to the Hip Hop connoisseur. It is probably the  most           rap-like sounding track on the album. The speech sample  at the beginning of the           album is taken from the film  &lsquo;Network&rsquo;; as the main character pleads with his           audience to  wake up and begin looking at themselves. &lsquo;Getting in Touch&rsquo; is in            essence similar to the other tracks on the album, but presented in a  slightly           different format. We intended to make something that  carried our message in the           shape of a verse-chorus-verse  style track (a formula that has been a standard           in rap music  for twenty years).<br /><br /> Rahma Ali, a very talented vocalist and producer            (myspace.com/rahmaali) sings the chorus, with Kanetik on the first and  third           verses, and Chess on the second and last.<br /><br /> Getting in Touch bridges the gap between the more neutral            atmospheres of the previous tracks and the intensity of &lsquo;Cracks in the  Paradigm&rsquo;.<br /><br /> Chorus by Rahma Ali (myspace.com/rahmaali)<br /><br /> Singing by Kanetik and Chess<br /><br /> Verse 1&amp; 3 by Kanetik<br /><br /> Verse 2&amp; 4 by Chess<br /><br /> The track is mostly sampled, with some composition in the           break, in which Sudanese singer Emmanuel Jal is sampled.<br /><br /> -           PEACE -<br /><br /> &lsquo;Peace&rsquo; is taken from the manga series &lsquo;Patlabor&rsquo;. Two            colleagues stand on a harbour&rsquo;s edge and discuss the definition of what  we know           as peace. One of the reasons that we included this  skit in the album is that it           is important to think about the  words which we use in our everyday           conversations and read in  our various publications. Words are not inherently           powerful;  they are amalgamations of sound, punctuated by volume and emphasis. A            word gains energy by being associated with an event, action,  object, or any           other thing. As the particular entity gains  energy, so does the word associated           with it. With this in  mind, it is an interesting thought to wonder whether two            overlapping words such as &lsquo;peace&rsquo; and &lsquo;piece&rsquo; could have an infringing  effect           on each other. Why should the word for one of the most  highly sought after           states of social, political, and  ultimately human affairs be tinted with another           word whose  definition is that of being a smaller part of a whole? Surely the            word &lsquo;piece&rsquo; bears a negative effect on the word &lsquo;peace&rsquo; in our  minds? It would           surely help the process of understanding and  changing the situation in and           around us if the English  language had a word for peace whose phonetic spelling           was  entirely exclusive, it is rather important after all.<br /><br /> -           CHANGE -<br /><br /> &lsquo;Change&rsquo; arrives at a stage of the album where light is            slowly regressing back into darkness. A psychic medium speaks of her            experiences, and the importance of her understanding that what is  inside will           be balanced on the outside. The track prepares  the listener for the longest and           most intense stage of the  album.<br /><br /> Mostly composed, with some small samples.<br /><br />  -           CRACKS IN THE PARADIGM -<br /><br /> &lsquo;Cracks in the Paradigm&rsquo; was intended to be the one track on            the album which directly confronted the threat of one world government  and the           function creep of security and policing measures that  we are seeing in the           world today.<br /><br /> The break in the middle of the track features speech samples            from George Bush Senior, ex Prime Minister Tony Blair, and current  Prime           Minister Gordon Brown, all speaking on the subject of  &lsquo;The New World Order&rsquo;. Of           course anyone mentioning this  outside of politics is a tin foil hat wearing           nutcase who  probably believes in UFOs, so where does it leave us when we hear            three of the most influential people in the world talking about it?  It must be           a different New World Order, or so we hope.<br /><br /> Jordan Maxwell, a researcher of forty years, is sampled at            the beginning and the end of the track. He outlines the treat that is  posed by           the institutions of world government, reminding us of  the huge importance of           positive action against the direction  of negative development, and the need for           us humans to wake up  and realise that we are being led by profoundly evil           people.<br /><br /> Iron Braydz (myspace.com/gmabraydz) features on the second            verse, with a blistering lyric that summons biblical images of desert  storms           consuming hoards of marauding troops.<br /><br /> &lsquo;Cracks in the Paradigm&rsquo; is the album&rsquo;s look into tyrannical            rule, working with the idea that if we can honestly look at the  situation that           we are in, we will gain enough understanding of  it to be able to change           ourselves and thus the situation  itself.<br /><br /> Singing by Chess, rhymes by Iron Braydz and Chess. The track           is mostly sampled, with some composed parts.<br /><br />  -           MEDIATATION -<br /><br /> &lsquo;Meditation&rsquo;, as mentioned on the explanation of &lsquo;The Map&rsquo;            is a reworked version of &lsquo;Black Paradigm&rsquo; which we decided not to use  for the           album. Instead we agreed that it would work as a short  instrumental skit to           clear the air after the long haul of  &lsquo;Cracks in the Paradigm&rsquo;. The track aims           to create an  impression of the energies surrounding us, slowly calming into the            meditative tranquillity of still water.<br /><br /> The track is based around two samples, with composed strings           and sounds, and background vocals by Chess.<br /><br />  -           THE MAP -<br /><br /> We wanted to create something completely different at this            stage of the album. We had been experimenting with atmospheric sounds to  create           differing moods during the transitions between tracks,  and some of these           atmospheres had inspired spoken word lyrics  and speech snippets. With this in           mind, I decided to write  &lsquo;The Map&rsquo; as an ad lib, with the simple image of an           old  warrior meditating by the seashore as its beginning.<br /><br /> The origins of the story were explained in another track            called &lsquo;Back Paradigm&rsquo; which did not make it onto the album (we decided  that it           was too sample-heavy to use, but track 25:  &lsquo;Meditation&rsquo; is a reworked version           of its instrumental)<br /><br /> The story begins during the aftermath of the battle of            Tanamine, a fictional mountain citadel renowned for its mineral  deposits. Our           character awakens from unconsciousness as the  dawn sun rises over a snow           cloaked battlefield. As his vision  clarifies, he witnesses the decimated           remains of his section  strewn across the blood soaked ground.&nbsp; Soldiers moan for help as the  more           fortunate desperately edge back towards their battered  lines. The towering           silhouette of Tanamine bears over the  mottled plains below, its high stone walled           defences bathed in  the glow of the rising dawn.<br /><br /> He stumbles to his feet, and slowly begins to edge towards            the smouldering buildings. As he progresses, memories of the battle  begin to           creep into his mind. He recalls the long siege of the  city, finally ending with           the calling in of the &lsquo;Black  Paradigm&rsquo;, a small unit of highly trained shock           troops who  covertly enter cities and kill all within. Their impact had been            shocking. He entered Tanamine and was met with a scene of utter  destruction.           Still regaining his balance from his prior  unconsciousness, he numbly observes           the smouldering houses and  slain inhabitants, making his way to the city&rsquo;s           temple, its  exterior heavily scarred but still intact. Below is the painting            &lsquo;Temple&rsquo; by Leon Botha, almost an exact image of my vision of the  temple of           Tanamine.<br /><br /> .<br /><br /> Inside the temple he encounters the last remaining survivor,            an old prophet, who lies critically injured at the far end of the  darkened           interior. Here, his soul is questioned and his  intentions judged. After having           decided that our character is  deeply remorseful of his army&rsquo;s actions he is           handed the map  as the prophet passes away. He returns to his section, the map            hidden, and the story does not re ignite until decades later.<br /><br /> The story begins decades after the long saga of Tanamine.            Our character has returned, and has lived a prosperous and responsible  life. The           society in which he lives operates around a highly  controlled system, where           external influences are strictly  illegal, with punishment of death for the most           serious  offences.<br /><br /> After Tanamine, our character buried the map given to him by            the dying prophet at the foot of a willow tree located in the dense  forests           surrounding his home city. The only others who were  aware of the map&rsquo;s           existence bar our character were a handful  of military Pages; helpers who           maintained weaponry and  equipment etc, who were strictly loyal to their           masters, even  over the rule of their government.<br /><br /> After having been informed that the security forces of the            city had become aware of his possession of the map, he bolts back from  the           shoreline where he had been meditating towards the city as  the sun sets and           darkness falls around him. On entering the  city, he is aware that capture would           mean certain death. He  creeps through the gloomy streets and eventually reaches           his  home. He frantically gathers vital equipment together and hides the            mementos of his time in the war of Tanamine. It is at this point  the he meets           the guide. (Needless to say, bumping into an  eight foot samurai apparition with           the face of a wolf would  probably spark a question!)<br /><br /> &ldquo;Who are you?&rdquo;<br /><br /> &ldquo;I am a keeper of dreams, a guide who has walked from the           end of where your map leads&rdquo;<br /><br /> And so the journey begins.<br /><br /> This track is entirely about persevering through hard times            and finding the strength to continue on. We are all fragile. An egg may  observe           another egg as having a shell five times thicker than  its own, giving the impression           of invincibility to the  weaker, but the reality is that both will break in           exactly the  same way if dropped. Sometimes people experience immensely            traumatic things, and find themselves in an area of their minds where  their           consciousness has condensed from a vast array of  choices, to a handful of           terminally important decisions; the  light hearted options of before seeming           completely irrelevant  in the circumstances.<br /><br /> It is in these places that we see the root of ourselves and            decide whether to continue on. If we make the choice to advance with  positivity           and perseverance in mind, one can become aware of a  guiding energy which           operates within us all, however in a  huge amount of people it seems to work as           a very subtle signal  to calmly usher us through life. It is pretentious to           digress  any further, important events require important decisions.<br /><br /> Our character had lived with the trauma from what he had            seen in Tanamine for many years until the threat of death came to visit  him.           One of the psychological symptoms of Post Traumatic  Stress Disorder is an           interest in information which questions  authority. The passing on of the map           after the battle of  Tanamine signifies the gaining of hidden benefits that           these  events can have for some of us. His burying of the map signifies his            receipt of a guiding energy, but his ignorance of it until most  needed.<br /><br /> The map is the awareness of a path in life; the guide is the           manifested inner strength to walk that path.<br /><br /> The city and its strict laws represent the inner boundaries            that we set ourselves, its pinnacle, the warden (head of security)  being the           character of fear.<br /><br /> Thus our character&rsquo;s inner strength (the guide) has defeated           fear (the warden).<br /><br /> As they embark on their journey, they must first escape the            confines of the city. This is representative of the awakening to the  world we           live in. The city represents the womb like state of a  conditioned mind, its           borders strongly defined and guarded by  the two balancing forces of the ego,           the Id and I,  represented by the guards of the city gates.<br /><br /> For them to progress, our character&rsquo;s strength (the guide)            must overcome his childlike ego (the guards) by non combative means. The  guide           approaches the guards and they fall to the ground, the  blood vaporised from           their bodies, not a violent move made.  Now that the trappings of the ego have           been left behind, they  take a torch from the walls (representative of the           guiding  light given to us from birth) and enter the darkness of the surrounding            forest (the unknown world/non predetermined life) in search of  the map. After           having been located by our character, its  seven binds are cut to reveal its           detail. This signifies the  seven most commonly accepted stages of the           alchemical journey  that that embrace the experiences of the voyager.<br /><br /> As the map is discovered, our duo is compromised by a group            of soldiers with a civilian in tow. It is at this point that the guide  rises to           their pursuers and questions their intent and loyalty  to their superiors. The           narration fades out at this point,  but the story will be explained in further           work.<br /><br /> &lsquo;The Map&rsquo; is entirely composed, with some small bits of           sounds design. All vocals and narration by Chess.<br /><br /> -           THE GUIDE -<br /><br /> &lsquo;The Guide&rsquo; interjects the narration of &lsquo;The Map&rsquo; and &lsquo;The            Desert&rsquo;. The story will continue in future work, but we thought that too  much           spoken word at this point of the album would slow things  down. &lsquo;The Guide&rsquo; is           one of the oldest tracks, which was  first put together in 2004. It was           completely reworked from  its original state, having the production and           structure  tightened up, and re recording the vocals (the album took over five            years to make, during which time my voice deepened significantly).  We made the           track to bear a positive and strong energy of  achievement amongst the chaos of           our world.<br /><br /> The lyrics attempt to carry a message of perseverance to the            listener, delivered in a slower way to let the instrumental play more  of a           part.<br /><br /> As a track, &lsquo;The Guide&rsquo; seeks to encapsulate musically the           entire story of &rsquo;The Map&rsquo;.<br /><br /> Based around a sample, with composed strings, and all           singing and vocals by Chess.<br /><br />  -           THE DESERT -<br /><br /> &lsquo;The Desert&rsquo; was originally written in 2006 but completely            revised nearer to the album&rsquo;s completion. Our character and his guide  have           endured a gruelling journey and have finally reached the  desert, the hardest           phase on the route to the map&rsquo;s  destination. Our character is physically           exhausted, mentally  drained, and the further he walks, the weaker he becomes.<br /><br /> Eventually, the pair rest amongst a rocky escarpment, and            for the first instance, our character contemplates whether he has the  ability           to continue. The guide sits beside him, sharpening his  sword with a sharp piece           of stone. This is symbolic of a  testing time&rsquo;s ability to make one stronger. At           the point of  his defeat, the guide explains to our character that all is            energy, and he is all that exists in unison over all time, and further.<br /><br /> The words begin to fade at this point, as the story will be           explained in full in our next project.<br /><br /> &lsquo;The Desert&rsquo; is about strength in the most desperate of            circumstances, and the knowledge of and belief in your destiny carrying  you           through the obstacles which always arise when a soul seeks  its true meaning.           The track is a metaphor for the areas of  doubt that one experiences when           embarking on a journey into  the unknown, be it a business venture, adventure in           other  countries, or decision to create or do something original. It is an area            of no return which tests ones resilience and eventually  galvanises a person&rsquo;s           strength to achieve what they have set  out to do. Crossing the desert brings           untold benefits, however  becoming consumed by doubt will weaken the journey           maker to  the point of defeat. I believe that you must commit to your chosen            undertaking with everything you have to achieve your personal goal,  whatever           level it may be on. Constant half heartedness  eventually corrupts the spirit,           sending the journey maker into  routes and eventually a destination that their           spirit did not  originally seek.<br /><br /> The sounds are entirely composed, narration by Chess, speech            samples taken from the audio book &lsquo;The Alchemist&rsquo; by Paulo Coelho, a  huge           inspiration for the whole album.<br /><br />   -           KNOWLEDGE -<br /><br /> &lsquo;Knowledge&rsquo; was intended to be a return to the flow of the           album after the long saga of &lsquo;The Map&rsquo;.<br /><br /> &lsquo;Dez&rsquo;, a Parisian lyricist, singer, and poet features on the            intro. A translation will be available in the lyrics section over the  next few           weeks.<br /><br /> We wanted Knowledge to be a less intense track, with a more           contemplative atmosphere than its predecessors.<br /><br /> The lyrics are focused on the benefit of the acquisition of            knowledge. Knowledge of the self, knowledge of the keys, knowledge of  your           wealth, and knowledge of the seas. It is the basis of  advancement, the platform           on which we cultivate wisdom and  hone our skills to navigate through life.           Every instance  deepens the mind and opens its aperture to the world. If we stop            learning, we stop growing.<br /><br /> Singing by Elize and Chess, poem by Dez, and lyrics by           Chess.<br /><br />  -           BRICKS -<br /><br /> &lsquo;Bricks&rsquo; was written to be the last collaborative effort of            the track. As with &lsquo;Doors&rsquo;, the introductory poem was written as its  own piece,           and later incorporated into the track. I wanted to  create an image of the           futility of the modern western life,  the materialism, selfishness, and wilful           ignorance that we see  around us.<br /><br /> I try to make clear that we need guidance that if is not            manifested within us will probably materialise as a single leader or  small           group. For me, I live with an overwhelming feeling that  something is wrong, and           will not continue for long. The  country which I was brought up in and love           dearly is a mass of  drunken louts who fight their way through their           unhappiness.  People seem to have no substance, their hearts are empty and their            ideas lack passion. Young men should have fire in their bellies and  anger in           their eyes to change what is wrong. Where is  brotherhood and loyalty amongst           us? We fight each other not  realising that the truth that sits and laughs in           our faces  every day.<br /><br /> Our women are overworked and distrusting, now finding it            somehow patronising for a man to be chivalrous towards them. They lack            affection and elegance and have replaced their feminine grace  with hard edged           work ethics. Britain needs focused, educated,  self disciplined problem solvers           if she wants to heal. We need  to ostracise the mental pollution from our areas           of  acceptance and begin to heal ourselves and let our land lie down and  rest.           Britain is a fantastic country ruined by the gluttony of  her citizens. Pubs and           Bars are now the places of worship. We  indulge in the most carnal behaviour at           the end of our  working week; drinking excessive amounts of alcohol, taking            drugs, vomiting and urinating on the street, fighting, and returning  home to           rut with an unknown person in a substance fuelled  stupor, who then cheats           nature the following morning by  swallowing a pill that destroys what truth she           may have  created inside her.<br /><br /> We are so far from where we should be. Love is the energy            that makes you do what you need to do. It is not a chemical process  which           engages you with a sexual partner in order for you to  mate. You must feel truth           when your heart is quiet. Feel that  energy and grasp it harder than anything           you could imagine.  Protect it, cultivate it, nurture it, and help it to develop            and grow until the whisper in your core becomes the fire in your eyes.  Let           nothing, even from those most dear to you, distract you  from it. It is the           thread towards all that is true and is the  most profound mission in life. Its           path helps you to develop,  cleanse, understand, strengthen, and grow. It takes           you  through ecstatic profundity and terrifying darkness, rooms of doubt and            vast seas of turmoil, but when you know where you are going,  all, to the           deepest level of yourself, is understood.<br /><br /> You must work every day to purge fear from your mind, until            its claws are unpicked and it has vanished into the ether. Study your            surroundings and feel that which is true. With this in mind,  truth, or your           truth will begin to reveal itself to you. We  are all stronger than we could ever           imagine, nothing is too  much. Believe that you are your soul&rsquo;s image and you           will be  that person. We are born into a realm of high levels of social            conditioning that seek to convince us that our hearts speak a language  which is           to be seen in relation to the mental illnesses that  cause us to lose touch with           reality. The person who is doing  what he or she should be doing and is in their           centre is so  profoundly in touch with their reality that it makes the most            supposedly realistic people seem insane.&nbsp; With fire in your mind become  the person that you are, as though all           around you conspires to  manipulate and suppress you.<br /><br /> Feed your mind, body, and soul with stimuli. Look at people            with your heart, not your eyes. Never adjust your beliefs to suit  conversations           or your beliefs will stop conversing with you.  Relish the tense atmospheres           created from bold statements, it  is the sign of new territory just as a muscle           shakes when  first used.<br /><br /> Accept no compromise and understand that every day is a            brick towards the structure that you create in the journey of your life.  One           day, we will all finally turn around and see what we have  created, be it a tomb           or a temple.<br /><br /> Love is the understanding of oneness, but who am I to talk?<br /><br /> Intro poem by Chess. Verse 1 rhyme by Chess, 2 by Kanetik, 3           by Radiance.<br /><br />  -           BALANCE -<br /><br /> &lsquo;Balance&rsquo; comes at a stage of the album where we hope that            the listener has understood its flow and concept. In my view, everything  is           balanced by a counteracting force. Thus nothing is dark  without light and blind           without sight. With this is mind we  can welcome bad times as being precursors           to positive change,  and know that negative actions towards us bring word of            blessings in the future.<br /><br /> Vocals by Chess.<br /><br /> -           HIGHFIELD -<br /><br /> &lsquo;Highfield&rsquo; was intended to be the culmination of the preceding            tracks on the album, both musically and lyrically. We made the  track originally           in late 2004, and it lay untouched for the  best part of three years. The idea           was to create a highly  emotive track without losing the rhythm of the beat. The           claps  came about by accident, giving the track an atmosphere which was  perfect           to outro the album.<br /><br /> French singer &lsquo;Dez&rsquo; features, his lyrics; &lsquo;laissez-toi           allez&rsquo; meaning &lsquo;let yourself go&rsquo; in English.<br /><br /> My verse was written to convey a message which I had not            managed to get across previously. I wanted to comment on the futility of            revolution, and the inevitabilities of the misuse of power.  For me, it is           especially important these days to realise that  being involved in a radical           movement which seeks to physically  change its surrounding governmental environment           is not worth  the while. We all want to see change in the world, and that is a            basic nervous reaction to the awful state that the world is in.  However the           structures of control are from a very old class  who have extended           qualifications in kicking arse. Trying to  somehow bring change by smashing           windows and planting bombs  will not help anything; the participators only           become a  catalyst for more legislation and so control.<br /><br /> In my opinion, patience and assertiveness combined with            common sense is the answer. The cycle of            chaos-theocracy-aristocracy-democracy-chaos has run for thousands of  years. Is           it a human trapping which makes us desire societal  change in our lives? Why do           we grab for it, often acting  before thinking and destabilising countries which           may not have  been just, but at least were not in chaos.<br /><br /> My view (and that of many others) is that harmonious,            responsible, and intelligent humans will create their reflection in the            structures of leadership which nature creates as we begin to  pool together and           form communities. It is a natural occurrence  in nature; it always has and           always will occur. We should not  seek to find ways of leadership not existing,           but find ways  in ourselves that leadership does not need to be a constant issue            of contention.<br /><br /> Idealisms aside, &lsquo;Highfield&rsquo; seeks to be a track that pleads            for people to let themselves go from the perpetual cycles of  government and           society, and beginning the path towards  understanding themselves and thus           making educated actions in  the physical world around them.<br /><br /> Singing by Dez, harmonies by Kanetik &amp; Chess, vocals by           Chess.<br /><br /> The track is entirely composed. Speech samples from &lsquo;Voice           of the Buddha&rsquo; audio book.<br /><br />  -           LAST WORDS -<br /><br /> &lsquo;Last Words&rsquo; was written with a simple message. We wanted to            end the album with a down to earth atmosphere that brings the listener  almost           to the point of where he or she started, ending on a  calm and thoughtful note.<br /><br /> The message is: If you can see that there is something to           do, please do it.<br /><br /> Words by Chess.<br /><br /></font></div>  ]]></content:encoded></item><item><title><![CDATA[A Snake Devours its Tail]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/a-snake-devours-its-tail.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/a-snake-devours-its-tail.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:38:16 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/a-snake-devours-its-tail.html</guid><description><![CDATA[24/10/2009Featuring an extract from &lsquo;The Art of           Shaolin Kung Fu&rsquo; by Wong Kiew Kit   It is a strange           experience. Some of us live our lives and  never question the nature and           substance of that which calls us  to live within it every day. Our eyes see the           same hands and  feet from the same perspective tha [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "><font size="3">24/10/2009<br /><br /><em style="">Featuring an extract from &lsquo;The Art of           Shaolin Kung Fu&rsquo; by Wong Kiew Kit </em></font> <font size="3"><br /><br /> It is a strange           experience. Some of us live our lives and  never question the nature and           substance of that which calls us  to live within it every day. Our eyes see the           same hands and  feet from the same perspective that we somehow came to            understand was our own, yet no one can specify exactly when they became  aware           of themselves. We seem to look at each other for  assurance that what is going           on is real, forever seeking  superficial methods of sensory control; or control           of the lack  thereof.<br /><br /> We are not told, but           tell ourselves, that the coincidental,  serendipitous, and completely           unexplainable occurrences that  take place around the world every day are merely           a part of our  sober lives as workers and family members. There is no truth that            we can all appreciate together that will end our worries as we  watch TV. There           is you, your direction, and the unfathomable  that lies beyond.<br /><br /> For thousands of           years in our recorded history, the human  unit, in a minute number of cases, has           attempted a voyage  towards directly experiencing the energy of the Cosmos. We            have called them many names, but the only thing that separated and  separates them           from their contemporaries was a will to  experience directly, not abstractly,           what lay behind the veil  of reality.<br /><br /> Siddh&#257;rtha Gautama, or who           some call Gautama Buddha, was so  perturbed by the illness and suffering of age           that we saw  when venturing away from the sanctuary of his family palace, that he            made it his mission in life to understand the universe and  achieve           enlightenment.<br /><br /> For me, there are no pre selected           souls or reincarnated  Buddhas. There is experience, choice, will, and result.           By  this, with positive focus and correct attitude, anyone can obtain a  direct           understanding of the nature of reality and the Cosmos  beyond.<br /><br /> We need to stop           thinking that the great people that have  graced this planet are somehow           unreachably different to us,  expecting that someone will solve our problems for           us. In  oneness, we are the Cosmos; we are a part of every one of the supposedly            different people who have made great positive change. We all  know that we can           achieve vast amounts more than we do, hence  our non participation in actually           doing something to help the  people and planet around us, even on the most basic           levels.<br /><br /> Ask yourself whether           you ignore a feeling in your heart to  do something truly exciting. Is there a           dream of yourself that  you pass away an unachievable?<br /><br /> Then ask yourself           this: In a worldwide structure of  control, which has proven its evil time after           time after time,  warred, tortured, and brutalised for thousands of years, do            you not think that it may be advantageous for its economic stability and  social           foundations that its people do not question the nature  of reality? When you           walk through a city and see the addicted  and inflicted, ask yourself what you           are taking to be real.  Raise your eyes from the street in front of you and the           same  heavenly bodies that watched over the greatest souls to walk our earth  now           watch over you. Lower them again, and you will see that  the streets in front of           you are only a glimpse in the short  cycle of another civilisation, which the           Sun or Moon has  watched come into and depart from existence countless numbers            of times. Your sensible and supposedly rational thoughts connect you to  the           streets, houses, and shops around you, if fact they are  derived directly from           the minds that designed and built them,  and the goings on therein. Your heart           connects you to the  world beyond that; our planet, its contemporaries, and its            great surrounding expanse. Ask yourself what it real.<br /><br /> The following is           taken from &lsquo;The Art of Shaolin Kung Fu&rsquo; by Wong Kiew Kit.<br /><br /> &lsquo;The wisdom found in           Buddhist teaching is awe inspiring.  Buddhist wisdom, originally acquired           through meditation where  different aspects of reality are directly perceived,           is  recorded in the huge body of Buddhist scriptures collectively known as  the           Tripitaka, which is the largest collection of religious  works in the world,           consisting of over 7000 volumes. It  comprises three sections: <em style="">sutras</em>, which are the teachings of the           Buddha in his own words;&nbsp; <em style="">vinaya</em>, which is a collection of           monastic rules and related stories; and <em style="">sastras</em>,           which are the treaties and commentaries written by Buddhist masters.<br /><br /> If you imagine that these extensive volumes of Buddhist scriptures            involve persuasion and moralization, teaching people to be pious  or religious,           you are mistaken. The scriptures explain, if  you can understand its classical           language and profound  concepts, ideas that physicists, cosmologists,           psychologists  and other scientists and philosophers are currently            investigating, such as time and space, matter and energy, subatomic  activities,           the multi dimensional universe, shadow matter, and  different levels of           consciousness. This is not surprising if  we remember that Buddhism, like           science and philosophy,  investigates what reality is. It is beyond the scope of           this  book to describe in detail the Buddhist wisdom regarding these aspects  of           reality, but we shall address ourselves to the question of  what ultimate           reality is, and its related question of why the  so-called external objective           world is an illusion, as such an  understanding is relevant to the highest           attainment of Shaolin  Kung Fu.<br /><br /><strong style="">What is Ultimate Reality?</strong></font> <font size="3"><br /><br /> The following theme           line from the well-known but little understood <em style="">Heart Sutra</em>, one of the most important and beautiful works in           Buddhism, serves as a good introduction to cosmic reality:<br /><br /> Form is emptiness;           and emptiness is form.<br /><br /> Many people will find           this line puzzling. They are equally  bewildered by basic Buddhist teachings           such as that the  phenomenal world is an illusion, and ultimate reality is            tranquil and undifferentiated. Interestingly, modern science provides a  clear           explanation for this Buddhist teaching.<br /><br /> In our ordinary           consciousness, an opponent is real. If&nbsp; he  or she attacks you and if you fail to defend yourself there is no            illusion about your being hit. But suppose we look at the same  situation from           the very high level of consciousness of an  enlightened being like a Buddha or           Bodhisattva who sees  reality as it ultimately is and not as it is grossly           modified  by a set of conditions. You may not have reached the level of a            Bodhisattva, but here is where modern science can help us. Suppose you  were           able to look through a gigantic, super-powerful electron  microscope. What would           you see? Your opponent would have  disappeared. What you thought was the form of           a person would  turn out to be almost emptiness; you would see patterns of            subatomic particles as far apart as specks of stars in outer space. If  you           looked at yourself you would be equally astonished; your  body too would have           disappeared!<br /><br /> If the microscope           were more powerful, like the wisdom-eye  of a Bodhisattva, you would realise           that the so called  subatomic particles are actually not particles; they are            concentrations of energy without any definite boundary. You may be  reminded of           Neil Bohr&rsquo;s Principle of Complimentarity &ndash; that an  electron can be a wave or a           particle.<br /><br /> But more importantly,           you would suddenly be awakened to the  great cosmic truth that as there is no           boundary separating  one subatomic particle from another, there is also no           boundary  separating you from your opponent or anything else. In other words,            the whole universe is actually a continuous spread of energy or  consciousness,           without any differentiation. You would be  awakened to the greatest truth of all           &ndash; the discovery that  great masters of all religions and mystical disciplines           have  made &ndash; that the physical body in which, owing to your ignorance, you  have           imprisoned yourself, is an illusion, and that your  personal mind is actually           the Universal Mind. This feeling of  liberation gives us tremendous calm and           blessedness. The  ecstatic exclamations of great masters such as &lsquo;I dissolve            myself in the infinite grace of God&rsquo;, &lsquo;There is no difference in the  cosmos and           me&rsquo;, and &lsquo;My own nature is the Buddha nature&rsquo;  become meaningful.<br /><br /> This is Zen, which in           this content means a glimpse of  cosmic reality in its transcendental aspect,           and which is  called <em style="">wu</em> in Chinese and <em style="">kensho</em><em style="">satori </em>in  Japanese, and is best translated as &lsquo;awakening&rsquo; in           English. An  awakening is not enlightenment; it is nevertheless a confirmation            that you are on the way to enlightenment if you persist in your  cultivation.           Awakening is a cosmic glimpse, whereas  enlightenment is a total, direct becoming           of the Cosmos, where  all dualism disappears, where there is no difference           between  the knower and the known. When you attain enlightenment, you are not            extinguished, as is sometimes misconceived; you become &ndash; are &ndash;  the Cosmos. What           endeavour can be grander, more noble than  cultivating this attainment?           Enlightenment is called by  various names in Buddhism, such as <em style="">nirvana, bodhi</em>, Buddhahood and Zen.<br /><br /> Zen, therefore, has a           few related meanings. It can mean  both a cosmic glimpse and the total cosmic           realisation. It can  also refer to meditation, the essential way to both the            cosmic glimpse and the cosmic realisation. It is also a shortened form  for Zen Buddhism,           the school of Buddhism especially devoted to  the attainment of Zen in all its           three meanings.<br /><br /> After you have come           out of Zen, you may ask whether your  opponent, you or anything else is real.           The Zen answer is yes  and no, either yes or no, neither yes nor no. If you           think  this is crazy, be assured that sensible, serious scientists today would            give similar answers if you ask them whether a virtual  particle, or a &lsquo;real&rsquo;           particle like a photon or electron, or  even a tangible object like a cat, or a           huge heavenly body  like the moon, really exists. After the scientific           revolution  brought about by such great scientists as Einstein, Max Planck, Neil            Bohr and Werner Heisenberg, modern scientists have accepted, many  centuries           after the Buddha, that our so-called objective  external world is actually a           creation of the mind. The  American physicist, Professor David Mermim, has           seriously  declared that &lsquo;we now know the moon is demonstrably not there when            nobody looks&rsquo;.<br /><br /> When Buddhist masters           say that the external world is an  illusion, they do not mean that it is           imaginary, but that it  is only relatively, not absolutely, real. A bacterium           inside  your opponent, or a sentient being from another realm of existence, will            see that person very differently from the way you do, because  you, the           bacterium and the extraterrestrial being experience  him or her under different           conditions. Even if you slightly  change your conditions, such as wearing a pair           of glasses with  strange lenses, the same opponent will appear differently. But            if you, the bacterium and the extraterrestrial being were enlightened,  or at           least awakened, you would all see things the same way,  for all would have           perceived ultimate reality, i.e. cosmic  reality without any conditions.<br /><br /> What is ultimate           reality like? Masters of all religions and  mystical disciplines have insisted           that it is inexplicable.  This does not mean that they do not want to tell           people, or  that they themselves did not know. But if you want to know what it            is, you have to experience it yourself, just as in Shaolin Kung Fu,  if you want           to know what internal force is you have to  acquire it to find out. In a           simpler, more prosaic example, if  you want to know the taste of a mango, you           have to taste it;  no amount of description can exactly convey its taste to you.            Yet, to help people, to give them some, albeit imperfect idea of  ultimate           reality, Buddhist masters have described it as  tranquil, undifferentiated and           void.<br /><br /> The word &lsquo;void&rsquo; may           be misleading. Void or emptiness, known as <em style="">sunyata</em> in Sanskrit and <em style="">kong</em>  in Chinese, which is the hallmark of           Mayahana teaching, does  not mean absolute nothingness; it means devoid or           emptied of  phenomena or appearances. Hence, phenomena like houses, cars, trees,            the sky, the moon and stars are appearances; they are not  ultimately real.           Their appearances depend on a set of  conditions, such as the range of light the           observer is able to  see, and the way each person&rsquo;s consciousness as well as the            collective consciousness of the group are accustomed to operate. If  conditions change,           the appearances change. For example,  instead of viewing the sky in our ordinary           light, a Harvard  astronomer viewed it using ultra-violet rays; he found not one            but three suns and the moon almost disappeared.&rsquo;<br /><br /> O.N. 24/10/2009<br /><br /></font>  </div>  ]]></content:encoded></item><item><title><![CDATA[The Art of Manipulation]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/the-art-of-manipulation.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/the-art-of-manipulation.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:34:52 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/the-art-of-manipulation.html</guid><description><![CDATA[ THE  ART OF MANIPULATIONExtracts from the  article by A C Grayling  18/11/2009&nbsp;   The  vast dispersion of information on the Internet has in recent   years sparked a  huge rise in awareness of government malpractice   worldwide. The intelligent  person of today is simply more informed than   his pre-net equivalent; though the  sheer vo [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "><font size="3"> THE  ART OF MANIPULATION<br /><br /><em style="">Extracts from the  article by A C Grayling</em></font> <font size="3"><br /><br /> 18/11/2009&nbsp;<br /><br />   The  vast dispersion of information on the Internet has in recent   years sparked a  huge rise in awareness of government malpractice   worldwide. The intelligent  person of today is simply more informed than   his pre-net equivalent; though the  sheer volume of information which   we sift through causes some to wonder whether  it is necessarily a   beneficial thing.<br /> Manipulation  is a broad topic, with endless opportunities to be  blunt  when careful consideration  should be taken in mind. In my humble   opinion, to state that all governments  manipulate their people is   probably true: after all, government from its  original Latin roots   means &ldquo;control of the mind&rdquo;. This may initially seem  overstated, but   only because of the negative connotation associated with  manipulation.<br /><br /> &nbsp;<br /> There  are thousands of examples for the positive and the  negative. The  school child  is manipulated to work by his or her fear of  punishment;  yet potentially  benefits in life from the opportunities  open to them  from better grades.  Parental actions performed with the  best of intent  for the child are often  thought of as manipulative to  the adolescent.<br /> The  action itself remains in neutrality &ndash; the issue therefore  is not  to somehow  stamp out its existence as though it is the cause of  our  problems, but to  become more astute as to where the positive meets  the  negative, and that is  very difficult.<br /> Is  the perceived negative in the initial action of manipulation  or the  result  thereafter? Is it justified if used for the greater  good?<br /> The  following extracts from the article:<br /> &ldquo;The  Art of Manipulation&rdquo; by British Philosopher A C Grayling<br /><br />  Describe someone as  Machiavellian and in that word  you describe him  as devious, crafty, scheming &ndash;  and above all,  manipulative. By this  we mean he achieves his ends by  manoeuvring  people in ways they do not  quite understand, at least until it is  too  late. He does it by  blandishments and flattery, or by tricks and sleight  of  hand;  sometimes he does it by playing different interests off  against each   other, by pulling secret strings, by concealing his true  aims with  artifice and  ruse, and always by misleading those whom he is  getting  to do what he wants.  These were among the techniques that  Niccolo  Machiavelli advised a prince to  adopt in ruling a populace.<br /><br /> &nbsp;<br /> That  last point, about misleading people, is what makes  manipulation  so  objectionable: it implies that the manipulator has  acted against  the will or  the interests of those he battens upon. His  victims feel,  if they discover what  he has done, that they have been  subjects of a  stratagem, which they would  quite likely not have agreed  to if they  had realised what was happening. No one  likes to be  outwitted ; still  less does anyone like to be tricked. To describe  a  given act as  involving manipulation implies that both these things have  been  done  to someone.<br /><br /> &nbsp;<br /> In one  way it might seem odd that manipulation should have a   pejorative connotation.  After all, we often try to persuade, influence   and cajole others. And we are  used to being subjected to persuasion  and  efforts at influence from the culture  around us: advertisers are   perpetually after our attention, sales men after our  money, and   politicians after our votes, all of them employing as much  inducement   and enticement as they can muster. Neither they nor we are above    employing whatever rhetorical arts we know, and even bribes of various   kinds.  Why is manipulation not regarded as just another repertoire of   activities,  central as they are to the continual negotiation and   jockeying that is social  life?<br /><br /> &nbsp;<br /> The  chief factor common to all manipulators is skill at  penetrating  the psychology  of others. A needle sharp awareness of the  weakness and  desires of those they  practice upon is the manipulators  key weapon.  Everyone has weaknesses, ranging  from fears and  insecurities to love  for another person or an ambition so  burning that  it makes them  vulnerable.<br /><br /> &nbsp;<br /> Even  hope can be a weakness that manipulators exploit.  Stephen Jay  Gould, better  known for his biological insights, once  astutely  remarked that &ldquo;when people  learn no tools judgement and merely  follow  their hopes, the seeds of political  manipulation are sown&rdquo;.<br /> The art  of politics &ndash; some with justice call it a black art &ndash;  almost  always involves  some manipulation. Some of it is overt, as when  party  whips secure their own  sides votes by direct threats to expose   mistresses or concealed homosexual  proclivities. But much of it is   covert, a long game played by means of tweaking  and pulling many   threads. Politics is like herding cats, with so many  conflicting   urgencies and so many different interest groups on the warpath  about   their own special concerns that the politician's life is very like   being  the conductor of an orchestra in a mad house. Since rational   discussion is not  likely to get far in such a place, astute   manipulation rises high on the list  of practical options.<br /><br /> &nbsp;<br /> When a  statesman is described as great because he was able to  persuade  his country,  through oratory or example, to adopt a certain  line of  action, his guidance of  affairs is not described as  manipulation but  as influence at least, and more  likely as leadership.  All successful  manipulators could just as accurately be  described as  leaders, or as  influencers and guides, because by definition they  have  led others  along a path chosen by themselves.<br /><br /> &nbsp;<br /> The word  &ldquo;manipulate&rdquo; has a fascinating etymology. It derives   obviously enough from the  Latin for hand (manus) and &ldquo;to fill&rdquo; (plere)   and occurs in that ancient tongue  as <em style="">manipulus</em> to mean, literally, a  handful (and figuratively, sheaf of wheat). In French <em style="">manipule</em> is a pharmacist's measure &ndash; a handful of medicinal powder,  for example. <em style="">Manipulation</em>  in that  same language meant a certain method of mining ore, by pick   axe and sweat. Its  first recorded use in English with the negative   connotation of underhandedly  manoeuvring others without their knowledge   and against their will is very  recent: it dates only from the 1820s.<br /><br /> &nbsp;<br /> In our  own way the palm for manipulative skill goes to the  Hollywood  film industry.  Any run-of-the-mill movie in any genre,  whether  romantic or &ldquo;family&rdquo;, animated,  horror or adventure, can make  its  audience laugh, jump, or weep at the press of  a hackneyed button.  We  all recognise the tropes that achieve this, and yet they  still work;   we go to the cinema not to glower at the screen on guard against  being   manipulated, but precisely in order to be manipulated. It is a   generally  benign and often cathartic experience, and to be welcomed   accordingly; but it  is manipulation nevertheless, even if it is one of   the very few cases where we  are unlikely to think it disagreeable.<br /><br /> &nbsp;<br /> It is  obvious why less benign forms of manipulation matter.  They  typically involve  unfairness, and come too close for comfort to  lying  and cheating. They use  people as pawns in the achievement of the   manipulators aims, in violation of  the great ethical principle   enunciated by Immanuel Kant, that other people  should always be treated   as ends in themselves, never as means to further ends.<br /> Manipulation  is par excellence the using of people as means. If  we do  not mind being  persuaded, it is because we are aware of what is   happening. Discussion,  argument, even bribery, which changes our minds   or re-routes our actions, is a  far cry from a process in which we find   ourselves doing something or taking a  position that we did not  realise  that we were being steered into by activities  we did not fully   understand.<br /><br /> &nbsp;<br /> The skills  of psychological penetration that the manipulator relies on   can be combated  only by two things: having no weaknesses, which is a   human impossibility though  it was recommended by the Stoics of ancient   times, or by being watchful and  sceptical, which is far more   achievable. Count your spoons when the snake-oil  salesmen visit: thats   the motto for the forefront of our minds when the  advertisers,   politicians, preachers &ndash; and talent-show judges &ndash; are at work  among us.<br /> </font><br /><span></span><font size="3">Taken  from The Independent on Sunday 15 Nov 2009<br /> Introduction  by Opa<br /> O.N.  18/11/2009<br /><br /></font></div>  ]]></content:encoded></item><item><title><![CDATA[Striking Thoughts]]></title><link><![CDATA[http://opanarise.weebly.com/1/post/2011/05/first-post.html]]></link><comments><![CDATA[http://opanarise.weebly.com/1/post/2011/05/first-post.html#comments]]></comments><pubDate>Mon, 23 May 2011 13:23:57 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://opanarise.weebly.com/1/post/2011/05/first-post.html</guid><description><![CDATA[    -  Extracts from the book by Bruce Lee - [...] ]]></description><content:encoded><![CDATA[<div ><div style="text-align: center;"><a><img src="http://opanarise.weebly.com/uploads/7/2/8/8/7288678/1003713.jpg?297" style="margin-top: 10px; margin-bottom: 10px; margin-left: 10px; margin-right: 10px; border-width:1px;padding:3px;" alt="Picture" class="galleryImageBorder" /></a><div style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px;"></div></div></div>  <div  class="paragraph editable-text" style=" text-align: center; "><font size="3"><br /><br />  -  Extracts from the book by Bruce Lee -<br /><em style="">Introduction  by opa.</em></font> <font size="3"><br /><br /> 9/12/2009<br /><br /></font>  <font size="3"><br /><br /></font>   <font size="3"><br /><br /> For  many,  Bruce Lee  represents a male stereotype that many grew up idolising for   his cool  temper and honed martial arts ability. He was, and still is, a  martial   arts hero who inspired millions of people the world over.<br /><br /></font> <font size="3"><br /> What is  little known about the man were his foundations in  philosophy,  spiritual  understanding, and utter devotion to his art. At  just 32,  Lee had written the  manual of an entirely new martial art,  Jeet Kune  Do, plus many other projects,  and had begun to take the form  of a  potent and inspirational leader.<br /><br /></font> <font size="3"><br /> His life  was prematurely cut short, but he left behind the  beginnings  of what would have  been an unbelievable pool of knowledge  and wisdom.  The following lines are  taken from his book &ldquo;Striking  Thoughts&rdquo;; a  collection of almost 1,000 angles  and ideas covering a  broad range of  subjects including perception, knowledge,  will, fear,  love, adversity,  goals, and so forth. <br /><br /></font> <font size="3"><br /><em style=""><strong style="">The interdependency  of thought and existence.</strong></em></font> <font size="3"><br /><br />  If  thought exists, I  who think and the world around which I  think also exist; the  one  exists but for the other, having no possible  separation between them.   Therefore, the world and I are both in active  correlation; I am that  which sees  the world, and the world is that  which is seen by me. I  exist for the world,  and the world exists for  me. If there were no  things to be seen, though about,  and imagined, I  would not see, think,  or imagine. That is to say, I would not  exist.  One sure and primary  and fundamental fact is the joint existence of a   subject and its  world. The one does not exist without the other. I  acquire no   understanding of myself except as I take account of objects,  of the   surroundings. I do not think unless I think of things &ndash; and  there I  find  myself.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Life simply is.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Living  exists when life lives through us &ndash;  unhampered in its flow, for  he who is  living is not conscious of  living and, in this, is the life  it lives. Life  lives; and in the  living flow, no questions are  raised. The reason is that life  is a  living now! So, in order to live  life wholeheartedly, the answer is life   simply <em style="">is.</em><br /><br /></font> <font size="3"><br /><em style=""><strong style="">Life is sometimes  unpleasant.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Life is  an ever-flowing process and somewhere on the path some   unpleasant things will  pop up &ndash; it might leave a scar, but then life is   flowing, and like running  water, when it stops it grows stale. Go   bravely on, my friend, because each  experience teaches us a lesson.   Keep blasting because life is such that  sometimes it is nice and   sometimes not.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Acceptance of death.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  round of summer and winter becomes a blessing the moment we give up the fantasy  of eternal spring.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Talking and  listening.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Most  people can talk without listening. Very few can listen  without talking. It is  very rare that people can talk and listen.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The necessity for  acting on our beliefs.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Knowing is not enough; we must  apply. Willing is not enough; we must do.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The point is the  doing.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  point is the doing of them rather than  the accomplishments. There  is no actor  but the action &ndash; there is no  experience but experience.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Do not expend power  prematurely</strong></em></font> <font size="3"><strong style="">.</strong><br /><br /></font> <font size="3"><br /> Wait in  the calm strength of patience &ndash; he that is strong  should guard  it with  tenderness. One need not fear lest strong will  should not  prevail; the main  thing is not to expend ones powers  prematurely in an  attempt to obtain by  force something for which the  time is not ripe.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The qualities of  mind.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> To be  one thing and not change is the climax  of STILLNESS. To have  nothing in one  that resists is the climax of  EMPTINESS. To remain  detached from all outside  things is the climax of  FINENESS. To have in  oneself no contraries is the  climax of PURITY.<br /><br /><strong style=""><br /> <em style="">You are the  commander of your mind.</em></strong><br /><br /></font>  <font size="3"><br /> Ive  always been buffeted by circumstances because I thought of  myself  as a human  being affected by outside conditioning. Now I realise  that I  am the power that  commands the feeling of my mind from where  the  circumstances grow.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">A limited mind  cannot think freely.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The mind  must be wide open in order to function freely in thought. For a limited mind  cannot think freely.<br /><br /><strong style=""><br /> <em style="">Liberate yourself  from concepts and see the truth with your own eyes.</em></strong><br /><br /></font>  <font size="3"><br /> It  exists HERE and NOW; it requires only one  thing to see it:  openness, freedom &ndash;  the freedom to be open and not  tethered by any  ideas, concepts, etc. We can go  on rehearsing,  analysing, attending  lectures, etc., until we are all blue in  the face;  all this will not  be of the slightest avail &ndash; it is only when we stop   thinking and let  go that we can start seeing, discovering. When our mind  is  tranquil,  there will be an occasional pause to its feverish  activities, there   will be a let-go, and it is only then in the interval  between two  thoughts that  a flash of UNDERSTANDING &ndash; understanding,  which is not  thought &ndash; can take  place.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Concepts prevent  feeling.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Don+t  think, FEEL. Feeling exists here and now when not  interrupted  and dissected by  ideas and concepts. The moment we stop  analysing and  let go, we can start  really seeing, feeling &ndash; as one  whole. There is  no actor or the one being acted  upon but the action  itself. It stayed  with my feeling then &ndash; and I felt it to  the full  without naming it  that. At last the I and the feeling merged to become   one. The I no  longer feels the self to be separated from the you, and  the whole  idea  of taking advantage of getting something out of  something becomes  absurd.  To me, I have no other self (not to mention  thought) than the  oneness of things  of which I was aware at that  moment.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">On developing the  creative attitude.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> To  develop the creative attitude, analyse, focus on the wanted   SOLUTION; seek out  and fill your mind with the FACTS; write down IDEAS,   both sensible and  seemingly wild; let the facts and ideas SIMMER in   your mind; evaluate, recheck,  settle on the CREATIVE IDEAS.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Perception is the  way of truth.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Not  conviction, not method, but perception is the way of truth.  It is a  state of  effortless awareness, pliable awareness, choiceless   awareness.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">To be a calm  beholder.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Be a calm beholder of what is  happening around you.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Lose the attitude.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Do not  have an attitude, open yourself and  focus yourself and express  yourself. Reject  external form that fails to  express internal reality.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">On humbleness.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> To be  humble to superiors is duty; to equals is courtesy; to inferiors is nobleness;  and to all, safety!<br /><br /></font> <font size="3"><br /><em style=""><strong style="">To be unconsciously  conscious is the secret of Nirvana.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> To be<em style=""> consciously unconscious </em>or to be<em style=""> unconsciously conscious is the secret of  Nirvana. </em><br /><br /> The act is so direct and immediate that intellection finds no room  here to insert itself and cut it to pieces.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Seeing through  ourselves.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> We can see through others only  when we see through ourselves.<br /><br /><strong style=""><br /> <em style="">There is fear and  insecurity in pride</em></strong><br /><br /></font>  <font size="3"><br /> Pride  emphasises the importance of the  superiority of ones status in  the eyes of  others. There is fear and  insecurity in pride, for when  one aims at being  highly esteemed, and  having achieved such status, he  is automatically involved  in the fear  of losing ones status. Then  protection of his status appears to be  his  most important need, and  this creates anxiety.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The will is  spiritual.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The spiritual power of a mans  will removes all obstacles.<br /><br /><strong style=""><br /> <em style="">The aim of the  self-willed man is growth.</em></strong><br /><br /></font>  <font size="3"><br /> A  self-willed man has no other aim than his  own growth. He values only  one thing,  the mysterious power in himself  which bids him to live and  helps him to grow.  His only living destiny  is the silent,  ungainsayable law in his own heart,  which comfortable  habits make it  so hard to obey but which to the self-willed  man is  destiny and  godhead.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Watch what you say.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Diseases enter by the mouth,  misfortune issues from it.<br /><br /><strong style=""><br /> <em style="">Love and respect.</em></strong><br /><br /></font>  <font size="3"><br /> Without respect, love cannot go long.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">On seeking the  divine within.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Whether  it is the godhead or not, I feel this great force, this   untapped power, this  dynamic something within me. This feeling defies   description, and there is no  experience with which this feeling may be   compared. It is something like a  strong emotion mixed with faith, but a   lot stronger.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">On the divisiveness  of organised religion.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Religions  divide people, just as styles  divide people. If all the  religions of the world  were one, the world  would be united in  brotherhood. Some people fight with  others because  they believe in  different religions. If, however, they only gave  the  matter a bit of  thought, they would never fight such a foolish cause.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The spirit controls  the body.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  active is controlled by the inactive &ndash; the active being form or matter, and the  inactive being spirit or mind.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Absence in love.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Absence in love is like water  upon a fire; a little quickens, but much extinguishes it.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The value of self  education.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Self-education makes great men.<br /><br /><strong style=""><br /> <em style="">The teacher cannot  be fixed in a routine</em>.</strong><br /><br /></font>  <font size="3"><br /> A good  teacher cannot be fixed in a routine. He must not impose  his student to fit a  lifeless pattern, a pre formulation.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The spiritually  deficient search for external securities.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The poorer we are inwardly, the  more we try to enrich ourselves outwardly.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">There is no fixed  teaching.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> There is  no fixed teaching. All I can  provide is an appropriate  medicine for a  particular ailment. I present a  possible direction,  nothing more. It is like a  finger pointing away to  the moon; dont  concentrate on the finger or you will  miss all that  heavenly glory.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Enrich your  understanding.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Enrich  your understanding. Don&acirc;&euro;&trade;t be in a  hurry to &ldquo;fix&rdquo; things,  rather, enrich your  understanding in the ever  going process of  discovery and finding more the cause  of your  ignorance.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Under the heavens  there is but one family.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Basically,  human traits are the same everywhere. I don&acirc;&euro;&trade;t want  this  to sound like &ldquo;As  Confucius say&rdquo;, but under the sky, there is but  one  family.<br /><br /><strong style=""><br /> <em style="">To be able to do  the things we want sometimes requires the performance of a few we dont.</em></strong><br /><br /></font>  <font size="3"><br /> Just as  the maintaining of good health may  require the taking of  unpleasant medicine,  so the condition of being  able to do the things  we enjoy often requires the  performance of a few  we dont. Remember my  friend that it is not what happens  that counts, it  how you react to  them. Your mental attitude determines what you  make  of it, either a  stepping stone or a stumbling block.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Sorrow as educator.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Sorrows are our best educator. A  man can see further through a tear than a telescope.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Anxiety.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Anxiety  is the gap between the NOW and the THEN. So if you are  in the  NOW, you cant be  anxious, because your excitement flows  immediately  into ongoing spontaneous  activity.<br /><br /><strong style=""><br /> <em style="">The critic.</em></strong><br /><br /></font>  <font size="3"><br /> Empty  heads have long tongues. Commonly they, whose tongue is their weapon, use their  feet for defence.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Do not anticipate  the outcome.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  great mistake is to anticipate the outcome of the  engagement; you  ought not to  be thinking of whether it ends in victory  or defeat.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The parable of the  butcher.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> There  was a fine butcher who used the same  knife year after year, yet  it never lost  its delicate, precise edge.  After a lifetime of service,  it was still as useful  and effective as  when it was new. When asked  how he had preserved his knifes  fine edge,  he said &ldquo;I follow the line  of the hard bone. I do not attempt to cut   it, nor to smash it, nor to  contend with it in any way. That would only  destroy  my knife.&rdquo; In  daily living, one must follow the course of the  barrier. To try  to  assail it will only destroy the instrument. And no  matter what some  people  will say, barriers are not the experience of  any one person, or  any one group  of persons. They are the universal  experience.<br /><br /><strong style=""><br /> <em style="">Adapt like water.</em></strong><br /><br /></font>  <font size="3"><br /> Be like  water; water has form and yet it has no form. It is the   softest element on  earth, yet it penetrates the hardest rock. It has   no shape of its own, yet it  can take any shape in which it is placed.   In a cup, it becomes the cup. In a  vase, it takes the shape of the vase   and curls about the stems of flowers. Put  it in a teapot, it becomes   the teapot. Please observe the adaptability of  water. If you squeeze  it  fast, the water will flow out quickly. If you squeeze  it slowly, it   will come out slowly. Water may seem to move in contradiction,  even   uphill, but it chooses any way open to it so it may reach the sea. It   may  flow swiftly or it may flow slowly, but its purpose is inexorable,   its destiny  sure.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The disease of  philosophy</strong></em></font> <font size="3"><strong style="">.</strong><br /><br /><em style="">.</em><br /> Philosophy  is itself the disease for which  it pretends to be the  cure:&nbsp; the wise man does not pursue wisdom but  lives  his life, and  therein precisely does his wisdom lie.<br /><br /></font>  <font size="3"><br /><em style=""><strong style="">Philosophy often  strives to convert reality into a problem.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> In life,  we accept naturally the full  reality of what we see and feel  in general with no  shadow of a doubt.  Philosophy, however, does not  accept what life believes, and  strives to  convert reality into a  problem. Like asking such questions as: &ldquo;Is   this chair that I see in  front of me really there?&rdquo; &ldquo;Can it exist by  itself?&rdquo;  thus, rather than  making life easy for living by living in  accord with life,  philosophy  complicates it by replacing the worlds  tranquillity with the   restlessness of problems.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Something for  something.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> There is only something for  something, never something for nothing.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Your mind  determines the effect.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Everyone  &ndash; no matter who he is or where &ndash;  must know from childhood  that whatever occurs,  does not happen if the  occurrence isn&acirc;&euro;&trade;t  allowed to come into the mind. It is  not what  happens in our life that  is important; it&acirc;&euro;&trade;s how we react to what   happens. Failure is what  your mind acknowledges.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Defeat is a state  of mind.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Defeat is a state of mind; no one  is ever defeated until defeat has been accepted as a reality.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Daily progress.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Make at least one definite move  daily towards your goal.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">One rarely reaches  the goal in one step.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  control of our being is not unlike the combination of a  safe. One  turn of the  knob rarely unlocks the safe. Each advance and  retreat is a  step toward one&acirc;&euro;&trade;s  goal.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Faith maintains the  soul.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Faith is  the maintaining of the soul through which ones aims may be translated into  their physical equivalent.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The price of  success.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> He who  wants to succeed should learn how to fight, to strive,  and to  suffer. You can  acquire a lot in life, if you are prepared to  give up a  lot to get it.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The nature of  money.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Money of itself has no explicit  nature. Money is what one makes of it.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The six diseases  (of excessive self-consciousness)</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> - The desire for victory<br /> -The desire to resort to  technical cunning<br /> - The desire to display all that  he has learned<br /> - The desire to overawe the enemy<br /> - The desire to play a passive  role<br /> - The desire to get rid of  whatever disease he is likely to be infected with<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Art is the  expression of the self.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Art is  really the expression of the self. The more complicated  and  restricted the  method, the less opportunity for the expression of   one&acirc;&euro;&trade;s original sense of  freedom.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Forget your mind  and become one with the work.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> If one  has any idea at all of displaying his  art well, he ceases to be  a good artist,  for his mind &ldquo;stops&rdquo; with  every movement he goes  through. In all things, it is  important to  forget you &ldquo;mind&rdquo; and  become one with the work at hand.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Art requires  creativity and freedom.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Art  lives where absolute freedom is, because where it is not, there can be no  creativity &ndash; art has no ego rigidity.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Artistic skill must  radiate from the human soul.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Artistic skill, therefore, does  not mean artistic perfection.  It  remains rather a continuing medium or  reflection of some step in   psychic development, the perfection of which is not  to be found in   shape and form, but must radiate from the human soul. The  artistic   activity does not consist in art itself as such; it penetrates into a    deeper world in which all art forms of things inwardly experienced flow    together, and in which the harmony of the soul and cosmos in the   nothing has  its outcome in reality.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Art reflects the  soul.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> It is the art of the soul at  peace &ndash; like moonlight mirrored in a deep lake.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The four postulates  of effective art.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Adequate  form in art requires:<br /> -  Individuality rather than imitative repetitiousness.<br /> -  Brevity rather than bulkiness.<br /> -  Clarity rather than obscurity.<br /> -  Simplicity of expression rather than complexity of form.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Be &acirc;&euro;&tilde;born afresh&acirc;&euro;&trade;.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Drop and  dissolve inner blockage. A  conditioned mind is never a free  mind. Wipe away and  dissolve all its  experience and be &ldquo;born afresh&rdquo;.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Keep your mind  unconditioned by past conditioning.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The more  and more youre aware, the more and more you shed from  day to  day what you have  learned so that your mind is always fresh,   uncontaminated by previous  conditioning.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Remove all psychic  obstruction.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> In order to display its native  activities to the utmost limit, remove all psychic obstruction.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Empty your mind and  expand your life.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> When there  is a particle of dust in your eye, the world becomes  a  narrow path &ndash; have your  mind completely free from objects &ndash; and how   much this life expands.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The limitation of  having a set way of doing things.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Use no  way as way. When there is a &ldquo;Way&rdquo;,  therein lays the limitation.  And where there  is a circumference, it  traps. And if it traps, it  rots. And if it rots, it is  lifeless.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Float in emptiness  without obstruction.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  knowledge and skill you have achieved  are after all meant to be  &ldquo;forgotten&rdquo; so  you can float in emptiness  without obstruction and  comfortably.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Remove all psychic  hindrances.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> One can  never be the master of his technical  knowledge unless all his  psychic  hindrances are removed and he can  keep the mind in a state of  emptiness  (fluidity), even purged of  whatever technique he has  obtained &ndash; with no  conscious effort.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">To be detached is  to be free of positive and negative.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> To  Desire is an attachment. &ldquo;To desire not  to desire&rdquo; is an  attachment. To be  unattached then means to be free at  once from both  statements, positive and  negative. In other words, this  is  simultaneously both &ldquo;yes&rdquo; and &ldquo;no&rdquo;, which is  intellectually absurd.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The art of  detachment.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Give up thinking as though not  giving it up. Observe the techniques as though not observing.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Wu-hsin is making  oneself empty.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> I must  give up my desire to force, direct, strangle the world  outside  of me and within  me in order to be completely open,  responsible,  aware, alive. This is often  called &ldquo;to make oneself empty&rdquo;  &ndash; which  does not mean something negative, but  means the openness to  receive.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Zen has no  metaphysics.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Zen  wishes to escape the pointless endeavour to trap life in a metaphysical net  instead of simply living it.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Zen reveals that  there is no problem &ndash; and no solution.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Zen  reveals that there is nowhere for man to go out of this  world; no  tavern in  which he can overcome anxiety; no jail in which he  can  expiate guilt. So  instead of telling us what the problem is, Zen   insists that the whole problem  is just our failure to realize that   there is no problem. And, of course, there  is no solution, either.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Real meditation  puts you in the Now.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Zen is not &ldquo;attained&rdquo; by  mirror-wiping  meditation, but by  &ldquo;self-forgetfulness in the existential  present of  life here and now&rdquo;.  We do not &ldquo;Come&rdquo;, we &ldquo;are&rdquo;. Don&acirc;&euro;&trade;t strive to   become, but BE.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Freedom is  self-knowledge.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Freedom lies in understanding  yourself from moment to moment.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The second-hand  artist (the conformer).</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The second hand artist, in blindly following  the teacher,  accepts his  pattern and, as a result, his action and, above all  his  thinking  becomes mechanical, his responses automatic according to his   pattern &ndash;  and thereby he ceases to expand or grow. He is a mechanical  robot, a  product  of thousands of years of propaganda and conditioning.  The  second-hand artist  seldom learns to depend upon himself for   expression; instead, he faithfully  follows an imposed pattern. So what   is nurtured is the dependent mind rather  that independent inquiry.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The Mirror  Person.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> A  mirror-person is one who always wants to know how he looks to   others. Instead  of being critical, he projects the criticism and feels   criticized and feels  onstage. <br /><br /></font> <font size="3"><br /><em style=""><strong style="">The most poignant  sense of insecurity comes from standing alone.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> We tend  to have more faith in what we imitate rather than what  we  originate. We often  feel that we cannot derive a sense of absolute   certitude from anything which  has its root in us. The most poignant   sense of insecurity comes from standing  alone; we are not alone when we   imitate. <br /><br /></font> <font size="3"><br /><em style=""><strong style="">Do not look for a  successful personality to duplicate.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> When I look around, I always  learn something and that <em style="">is to be always  yourself.</em>  And to express yourself. To have faith in yourself. Do not go out  and   look for a successful personality and duplicate it, which seems to me  to  be  the prevalent thing happening in Hong Kong. Like they always  copy  mannerisms,  but they&acirc;&euro;&trade;ll never start from the very root of his  being,  which is &ldquo;<em style="">how can I be me</em>?&rdquo;<br /><br /><em style=""><strong style="">The need to be  real.</strong></em><br /><br /></font>  <font size="3"><br /> In life,  what more can you ask for but to be  real? To fulfil ones  potential instead of  wasting energy on  actualising ones dissipating  image, which is not real, and  the  expenditure of one&acirc;&euro;&trade;s vital energy.  We have great work ahead of us, and  it  needs devotion and much, much,  energy.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Perform your own  mission in life.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> If you  look within yourself and are sure  that you have done right,  what do you have to  fear or worry about? You  are required only to  perform your own mission in life  without any  thoughts of  aggressiveness or competition. <br /><br /><strong style=""><br /> <em style="">Most of us see  ourselves as instruments in the hands of others.</em></strong><br /><br /></font>  <font size="3"><br /> There is  a powerful craving in most of us to  see ourselves as  instruments in hands of  others and thus free  ourselves from the  responsibility for acts which are  prompted by our  own questionable  inclinations and impulses. Both the strong and  the  weak grasp at this  alibi. The latter hide their malevolence under the   virtue of  obedience: the strong, too claim absolution by proclaiming  themselves   the chosen instrument of a higher power &ndash; God, History,  fate, nation,  or  humanity. <br /><br /></font> <font size="3"><br /><em style=""><strong style="">On the light  within.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> No matter what, you must let your  inner light guide you out of the darkness.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The statement of  the self-actualized.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> I am what I am here and now.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The self-actualized  seek freedom and purity.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Those  who distrust the life giving force within them, or who  have  none, are driven to  compensate through such substitutes as money.  When  a man has confidence in  himself, when all he wants is to live out  his  destiny in freedom and purity, he  comes to regard all those vastly   overestimated and far too costly possessions  as mere accessories,   pleasant perhaps to have and make use of, but never  essential.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The sacred journey  is taken alone.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Each man must seek out  realization himself. No master can give it to him.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The medicine for  suffering is within.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  medicine for my suffering I had within me from the very  beginning,  but I did  not take it. My ailment came from within myself,  but I did  not observe it &ndash;  until this moment. Now I see that I will  never find  the light unless, like the  candle, I am my own fuel,  consuming myself.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The continuous  peeling of self.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> My life  it seems is a life of self &ndash;  examination: a peeling of myself,  bit by bit, day  by day. More and more  it&acirc;&euro;&trade;s becoming simple to me as  a human being as more and  more I  search within myself. And more and  more the questions become  listed.&nbsp;  And more and more I see clearly.   It is not a question of developing  what has already been developed but  of  recovering what has already been  left behind. Though this has been  with us, in  us, all the time and has  never been lost or distorted  except for our misguided  manipulation of  it.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Learning to truly  see.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> We  possess a pair of eyes, but most of us do not really see  in the  true sense of  the word. I must say that when the eyes are used   externally to observe the  inevitable faults of other beings, most of us   are rather quick with  readily-equipped condemnation. True seeing, in   the sense of choiceless  awareness, leads to new discovery, and   discovery is one of the means to  uncovering our potentiality.<br /><br /><strong style=""><br /> <em style="">Self-knowledge is  true mastery.</em></strong><br /><br /></font>  <font size="3"><br /> True mastery  transcends any particular art.  It stems from mastery of  oneself &ndash; the ability,  developed through  self-discipline to be calm,  fully aware, and completely in  tune with  oneself and the surroundings.  Then, and only then, can a person know   himself.<br /><br /><strong style=""><br /> <em style="">The importance of  self-expression.</em></strong><br /><br /></font>  <font size="3"><br /> Self-expression  is important. Only the self-sufficient stand alone &ndash; most people follow the  crowd and imitate.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Express the truth  of your vision.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> One must not merely copy but try  to convey the significance of what you see.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The nature of  growth.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Growth is the constant discovery  and understanding in ones process of living.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The need to  progress.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Do not  hold to what you have. It is like a ferry boat for  people who  want to get  across waters. One you have got across, never  bear it on  your back. You should  head forward.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Growth is constant.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Man is  constantly growing, and when he is bound by a set  pattern of  ideas, or &ldquo;way&rdquo; of  doing things, that&acirc;&euro;&trade;s when he stops  growing.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Profound simplicity  = common sense.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> A profound simplicity of common  sense; the straightest, most logical way.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The semi-actualized  talk to impress.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> False teachers of the way of life  use flowery words.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The etymology of  yang.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The yang  (whiteness) principle represents positiveness,  firmness, masculinity,  substantiality, brightness, day, heat, etc.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The etymology of  yin.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The yin  (blackness) principle represents negativeness,  softness,  femininity,  insubstantiality, darkness, night, coldness, and  so forth.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The basic theory  underlying yin-yang.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  basic theory in yin-yang is that nothing  is so permanent as never  to change. In  other words, when activity  (yang) reaches the extreme  point, it becomes  inactivity, and inactivity  forms yin. Extreme  inactivity will, in the same way,  return to become  activity, which is  yang. Activity then is the cause of  inactivity, and  vice versa. This  system of complementary increasing and  decreasing of  the principle is  continuous. From this, one can see the two  forces  (yin-yang), although  they appear to conflict, in reality are mutually   interdependent;  instead of opposition, there is cooperation and  alternation.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Yin-yang and  chatterboxes.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The more volubly one talks, the  quicker will come his exhaustion.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Do not cling to  partiality. </strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Do not cling to partiality,  however fantastic &ndash; see things from TOTALITY.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">There is no  effective segment of a totality.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> There is  no such thing as an effective  segment of a totality, how can  one respond to the  totality with a  partial, fragmentary pattern? In  the greater the lesser is, but  in the  lesser the greater is not.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The Tao and  emptiness.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The  assimilation of the Tao has its  foundation in &ldquo;meekness&rdquo;,  &ldquo;tenderness&rdquo;, poverty  of spirit, and  quietness. These are expressed  sometimes by one word,  &ldquo;emptiness&rdquo;. An  aggressive spirit will be  brought low, pride leads to a fall,  violence  will end in defeat, all  of which come from misunderstanding the real   use of Tao.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Truth in nature.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> There is an element of truth in  everything. Nature teaches, although it can sometimes be misleading.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The man who seeks  truth lives in what is.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> The man  who is really serious, with the urge to find out what  the truth is, has not  style at all. He lives only in what is.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">The realization of  truth.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Truth comes when your mind and  heart are  purged of all sense of  striving and you are no longer trying to  become  somebody; it is there  when the mind is very quiet, listening timelessly   to everything.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">Truth cannot be  limited.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> Truth  cannot be structured or confined. When there is no centre and no circumference,  then there is truth.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">First rate  philosophers practice truth in order to understand it.</strong></em></font> <font size="3"><br /><br /></font> <font size="3"><br /> According  to Tao, a first rate philosopher  practices truth in order to  understand it.  Krishnamurti pointed out  that in order to see truth,  one cannot be fragmented,  but must see the  totality.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">There is a pathless  road.</strong></em></font> <font size="3"><br /><br /> Truth  is  a pathless  road. A road that is not a road. It is total expression  that has no   before or after. How can there be methods and systems by  which to  arrive at  something that is living? To that which is static,  fixed,  dead, there can be a  way, definite path, but not to that which  is  living.<br /><br /></font> <font size="3"><br /><em style=""><strong style="">A finger pointing  to the moon.</strong></em><br /><br /></font>  <font size="3"><br /> These   few paragraphs at  best are merely &ldquo;a finger pointing towards the moon&rdquo;.  Please  do not  take the finger to be the moon or fix your intense gaze  on the finger   and thus miss all the beautiful sight of heaven. After  all, the  usefulness of  the finger is in pointing away from itself to  the light  that illuminates finger  and all.<br /><br /></font> <font size="3"><br /><strong style=""><em style="">The  end is the beginning.</em></strong><br /><br /></font>  <font size="3"><br /> The   beginning and the  end thus turn into next door neighbours. On the  musical  scale, one may  start with the lowest pitch and gradually ascend  to the highest.  When  the highest is reached one finds it located next  to the lowest. To  know,  but be as though not knowing, is the height of  wisdom.<br /><br /></font> <font size="3"><br /> -<br /><br /></font> <font size="3"><br /> Bruce Lees Striking Thoughts is  available through Waterstones UK.<br /><br /></font> <font size="3"><br /><strong style="">ISBN-13:  978-0-8048-3471-1</strong><br /><br /></font>  <font size="3"><br /> O.N.  9/12/2009<br /><br /></font> 											</div>  ]]></content:encoded></item></channel></rss>

